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@2019.7.13‘æ50‰ñ’èŠú‰‰‘t‰ï@‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æi‘åƒz[ƒ‹j

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@2018.6.30‘æ49‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj

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@2017.6.10‘æ48‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj

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@2014.6.7‘æ45‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj

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@2011.7.23‘æ42‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj

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˜‹ÈƒŒƒi[ƒ^^Hyacinthe Lavitoranoì‹È
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ŠÇŒ·Šy‘g‹È‘æ‚R”Ô‘æ‚Q‹ÈgAirh^Johann Sebastian Bachì‹È
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j“Tsi‹ÈuŒb‚܂ꂽŒ‹¥v^Giussepe Manenteì‹È@’†–ì“ñ˜Y•Ò‹È
‰Ä‚Ì’ë`—[•é‚ê^Primo Silvestriì‹È
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ƒ‰ƒbƒp‚«‚Ì‹x“ú^Leroy Andersonì‹È@•“¡—ŠG•Ò‹È
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ƒnƒ“ƒKƒŠƒA•‘‹È‘æ‚T”Ô^Johannes Brahmsì‹È
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”ß‚µ‚«ƒƒ‹ƒc^Jean Sibeliusì‹È
Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È
‰p—Y‘’‘—‹È^Carlo Otello=Rattaì‹È

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ƒW[ƒO@ƒC’·’²^Arcangelo Corelliì‹È@ã–ì—T‰î•Ò‹È
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‚füã‚̃AƒŠƒA^Johann Sebastian Bachì‹È
‰ÌŒ€wƒJƒ”ƒ@ƒŒƒŠƒAEƒ‹ƒXƒeƒBƒJ[ƒix‚æ‚èŠÔ‘t‹È^Pietro Mascagniì‹È
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ƒpƒŠ‚̃AƒƒŠƒJl^George Gershwinì‹È

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‰ÌŒ€wƒJƒ‹ƒƒ“x‚æ‚è^Georges Bizetì‹È
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‹¶Ž‹ÈuƒXƒyƒCƒ“v^Emmanuel Chabrierì‹È —é–ØÈê•Ò‹È

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ƒoƒŒƒG‘g‹Èw—ö‚Í–‚pŽtx‚æ‚èu‰ÎÕ‚è‚Ì—x‚èv^Manuel de Fallaì‹È@—é–ØÈê^•Ò‹È
uƒXƒyƒCƒ“•‘‹ÈWv‚æ‚èuƒIƒŠƒGƒ“ƒ^ƒ‹vƒn’Z’² op.37-2^Enrique Granadosì‹È^“z“cŒ´²ˆê•Ò‹È
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Šì‰ÌŒ€uŒy‹R•ºv˜‹È^Franz von Suppeì‹È
Walking in the Air@ƒ‹ó‚ð•à‚¢‚Ä„iuƒXƒm[ƒ}ƒ“v‚æ‚èj^Howard Blakeì‹È Kèˆêm•Ò‹ÈiVioloncelloF‰ú”\“N—Yj
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‘g‹Èu–k‰¢‚̃XƒPƒbƒ`v^Amedeo Amadeiì‹È^’†–ì“ñ˜Y•Ò‹È

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ƒƒ}ƒ“ƒcƒ@‚ƃ{ƒŒƒuáv^Hyacinthe Lavitoranoì‹È
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‰ÌŒ€u–‚“Jv˜‹È^Wolfgang Amadeus Mozartì‹È@ã–ì—T‰î•Ò‹È
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ƒcƒbƒvƒI[ƒPƒXƒgƒ‰‚ׂ̈ÌuR‚t‚l‚a‚`v^Dieter Kreidlerì‹È
–Œi“IŒ¶‘z‹ÈuŽR‘‚Ì¥—çv^Vittorio Filippaì‹È@’†–ì“ñ˜Y•Ò‹È

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Œð‹¿ŽuŽ¸‚í‚ꂽ“sv^—é–ØÈêì‹È

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ƒƒ‹ƒcu—Šw¶v^Emile Waldteufelì‹È
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ƒMƒŠƒVƒƒ•—‹¶Ž‹È^Nicola Lavdasì‹È

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‹Œ—F^Carl Teikeì‹È Œ¢ˆäÍ•v•Ò‹È
ƒ^ƒCƒX‚ÌáÒ‘z‹È^Jules Massenetì‹È
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‘æ‚Q•”@Special GuestFƒ}ƒ“ƒhƒŠƒ“ˆäã‘×MŽAƒsƒAƒm•½‰ªŒcŽqŽ‚É‚æ‚éƒ\ƒƒXƒe[ƒW
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–²^Henri Vieuxtempsì‹È
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Œð‹¿ŽuˆÛV‚̉A‚Év|c—˜a‹{|^—é–ØÈêì‹È
’·’J‹¨ŠGŠª‚É‚æ‚鉹Šy•¨ŒêuŽé–åv^—é–ØÈêì‹Èi˜N“ÇFA“cÈŽOj

@1997.6.27‘æ28‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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ƒ~ƒŒ[ƒi^Mario Machiocchiì‹È
ƒJƒmƒ“^Johann Pachelbelì‹È
ƒAƒ_[ƒWƒ‡@ƒg’Z’²^Tomaso Giovanni Albinoniì‹È@“z“cŒ´²ˆê•Ò‹È
˜‹È^‹g…G“¿ì‹È

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“ú–{‚Q‚U¹}‹³ƒ~ƒT‚É‚æ‚é”ߜƘ‹ÈuŽó“ï‚̃~ƒTv^—é–ØÈêì‹È
ƒOƒ‰ƒEƒR‚̔߂µ‚Ý^A.Mazzolaì‹È
‘g‹È¢˜f¯v‚æ‚è
@‰Î¯|푈‚Ì_|
@–د|‰õŠy‚Ì_|^Gustav Holstì‹È@¬ŒŠ—Yˆê•Ò‹È

@1996.6.15‘æ27‰ñ’èŠú‰‰‘t‰ï@@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^Vittorio Montiì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj
ƒAƒ‰ƒ“ƒtƒFƒX‹¦‘t‹È@‘æ2ŠyÍ^Joaquin Rodrigoì‹ÈiƒMƒ^[ƒ\ƒF‹“‡Œõtj
ƒ`ƒSƒCƒlƒ‹EƒƒCƒ[ƒ“^Pablo Sarasateì‹Èiƒ}ƒŠƒ“ƒoƒ\ƒF’†ŽR”ü’qj
•‘—x•—‘g‹È‘æ‚Q”Ô^‹v•Û“cFì‹È

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ƒoƒŒƒG‘g‹ÈwƒKƒC[ƒkx‚æ‚è
@Œ•‚Ì•‘
@ŽqŽç‰Ì
@ƒoƒ‰‚̉³—’B‚Ì—x‚è^Aram Khachaturianì‹È@•ž•”³•Ò‹È@“z“cŒ´²ˆê•â•Ò‹È
Œð‹¿ŽuŽ€‚Ì•‘“¥v^C.Saint-Saensì‹È@—é–ØÈê•Ò‹È@“z“cŒ´²ˆê•â•Ò‹È
ƒ^ƒC•‘‹ÈuƒpƒSƒ_‚Ì•‘•Pv^—é–ØÈêì‹È

@1995.6.24‘æ26‰ñ’èŠú‰‰‘t‰ïi–K“Æ‹L”OƒRƒ“ƒT[ƒgj@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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‰Ô^‘ê—õ‘¾˜Yì‹È@“z“cŒ´²ˆê•Ò‹È
o‘D^™ŽR’·’J•vì‹È
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃Vƒ“ƒtƒHƒjƒGƒbƒ^‘æ‚T”Ô^‘åŒI—Tì‹È

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˜‹Èu‹A‹½v^Konrad Wolkiì‹È
ƒAƒ“ƒfƒ‹ƒZƒ““¶˜be•X•Pf‚É‚æ‚鉹Šy•¨Œêu•X‚̸‚É–£‚¢‚ç‚ꂽƒ‹ƒfƒBv^—é–ØÈêì‹Èi˜N“ÇFX–ØÎŽq@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj

@1994.7.2‘æ25‰ñ’èŠú‰‰‘t‰ï@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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•É‹ó^Josef Rixnerì‹È
ƒƒ~ƒI‚ƃWƒ…ƒŠƒGƒbƒg^Nino Rotaì‹È
ƒJƒ^ƒŠEƒJƒ^ƒŠiƒCƒ^ƒŠƒA–¯—wj
‰ÌŒ€wƒy[ƒ‹EƒMƒ…ƒ“ƒgx‚æ‚è@ƒ\ƒ‹ƒ”ƒFƒCƒO‚̉Ì^Edvard Griegì‹È
ƒpƒ”ƒ@[ƒk^Gabriel Faureì‹È
‰ÌŒ€wŽOŠp–XŽqx‚æ‚è@•²‰®‚Ì—x‚è^Manuel de Fallaì‹È
ƒnƒ“ƒKƒŠƒA•‘‹È‘æ‚T”Ô^Johannes Brahmsì‹È

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‰ÌŒ€uƒC[ƒSƒŠŒöv‚æ‚è@ƒ_ƒbƒ^ƒ“l‚Ì—x‚è^Alexandor Borodinì‹È
Œð‹¿æŽu‰Î‚ÌŽRv^—é–ØÈêì‹È

@1993.6.19‘æ24‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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ƒZƒŒƒi[ƒf^Jonny Heykensì‹È
ƒOƒŠ[ƒ“ƒXƒŠ[ƒuƒX‚É‚æ‚錶‘z‹È^Ralph Vaughan Williamsì‹È
ŠÇŒ·Šy‘g‹È‘æ‚Q”Ô@ƒ’Z’²^Johann Sebastian Bachì‹È

‘æ‚Q•”@Popular Music`“ø`
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‹{èxƒAƒjƒƒƒhƒŒ[
‚¢ŽR–¬
wƒ}ƒCEƒtƒFƒAEƒŒƒfƒBx‚æ‚è
@ƒAƒXƒRƒbƒgEƒKƒ”ƒHƒbƒg
@ƒXƒyƒCƒ“‚̉J
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Œð‹¿ŽuƒtƒBƒ“ƒ‰ƒ“ƒfƒBƒAv^Jean Sibeliusì‹È
‘匶‘z‹È@Œ¶‚Ì‘uŽ×”n‘äv^—é–ØÈêì‹È

@1992.6.12‘æ23‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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‰ÌŒ€u‚Í‚©‚È‚«l¶v‚æ‚èƒXƒyƒCƒ“•‘‹È‘æ‚P”Ô^Manuel de Fallaì‹È
ƒXƒ‰ƒ”•‘‹È‘æ‚P‚O”Ô@ƒz’Z’²^Antonin Dvorakì‹È
‰ÌŒ€uƒUƒ“ƒpv˜‹È^Ferdinand Heroldì‹È

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‚Q‚‚̃tƒ‹[ƒg‚ƃI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ì‹¦‘t‹Èƒg’·’²Op.133^Antonio Vivaldiì‹È
‹¦‘t‹ÈWuŽl‹Gv‚æ‚è‘æ‚P”Ôƒz’·’²utv^Antonio Vivaldiì‹È

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Œ€•t‰¹ŠyuƒGƒOƒ‚ƒ“ƒgv˜‹È^Ludwig van Beethovenì‹È
•½‰Æ•¨Œêu¼ŠC‚̔҉Ìv^—é–ØÈêì‹È

@1991.6.20‘æ22‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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ƒtƒ@ƒ“ƒ_ƒ“ƒS^Luigi Boccheriniì‹È
ƒhƒ“EƒWƒ‡ƒoƒ“ƒj‚̃ZƒŒƒi[ƒh^Wolfgang Amadeus Mozartì‹È
ƒAƒCƒlEƒNƒ‰ƒCƒlEƒiƒnƒgƒ€ƒW[ƒN^Wolfgang Amadeus Mozartì‹È

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Œð‹¿“IŒ¶‘z‹ÈuƒVƒ‹ƒNƒ[ƒhv^—é–ØÈêì‹È

@1990.6.22‘æ21‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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PLINKEPLANKEPLUNK^Leroy Andersonì‹È@•ž•”³•Ò‹È
ˆ¤‚Ì–²@‘æ‚R”Ô^Franz Lisztì‹È@—é–ØÈê•Ò‹È
ƒsƒAƒm‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̌¶‘z‹È^‹v•Û“cFì‹È

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‚³‚­‚ç‚ÌŒ¶‘z‹Èi“ú–{–¯—wj
•Ê‚ê‚Ì‹È^Frederic Chopinì‹È
ƒXƒyƒCƒ“‚̃ZƒŒƒi[ƒf^Georges Bizetì‹È
ƒJƒmƒ“^Johann Pachelbelì‹È
ƒ}ƒ“ƒhƒŠƒ“‹¦‘t‹È@ƒn’·’²RV.425iƒMƒ^[ƒ\ƒ‚É‚æ‚éj^Antonio Vivaldiì‹ÈiƒMƒ^[ƒ\ƒF‰º‘º‰êŠîj

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‰ÌŒ€wƒ}ƒhƒ“ƒi‚Ì•óÎxŠÔ‘t‹È^Ermanno Wolf-Ferrariì‹È@—é–ØÈê•Ò‹È
“ñãŽRŒÃ•­‚ɂ܂‚í‚鉹Šy•¨ŒêuŽ€ŽÒ‚Æ‹M•Pv^—é–ØÈêì‹Èi˜N“ÇFA“cÈŽO@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj

@1989.5.19‘æ20‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW)

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ƒgƒŠƒbƒ`Eƒgƒ‰ƒbƒ`Eƒ|ƒ‹ƒJ^Johann Strauss‡Uì‹È
‰Ì‹ÈWu”’’¹‚̉Ìv‚æ‚è@ƒZƒŒƒi[ƒh^Franz Peter Schubertì‹È
‰ÌŒ€wƒWƒ‡ƒRƒ“ƒ_x‚æ‚èeŽž‚Ì—x‚èf^Amilcare Ponchielliì‹È

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ƒŠƒ…[ƒg‹¦‘t‹Èƒj’·’²RV.93^Antonio Vivaldiì‹ÈiƒMƒ^[ƒ\ƒFŽO‰Y”Ž”Vj
ƒnƒ“ƒKƒŠƒA‹¶Ž‹È@ì•i‚U‚W^David Popperì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj

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‰ÌŒ€w‚Í‚©‚È‚«l¶x‚æ‚èƒXƒyƒCƒ“•‘‹È‘æ‚P”Ô^Manuel de Fallaì‹È
ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚鉹Šy•¨Œêwl‹›x^—é–ØÈêì‹Èi˜N“ÇF×ì—tŽqj

@1988.7.8‘æ19‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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ƒAƒ‹ƒnƒ“ƒuƒ‰‚ÌŽv‚¢o^Francisco Tarregaì‹È
…ã‚̉¹Šy^Gerorg Friedrich Hendelì‹È
Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È

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ƒAƒ“ƒNƒ‰[ƒWƒ…ƒ}ƒ“ì•i‚R‚SiŠð—V‹È‘æ1”Ôj^Fernando Sorì‹ÈiƒMƒ^[“ñd‘tFˆäã¹A‹v•Û“ck¶j
–³”º‘tƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘æ2”ÔBWV.1003‚æ‚è@ƒAƒ“ƒ_ƒ“ƒe^Johann Sebastian Bachì‹È@‹v•Û“ck¶•Ò‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j
ƒJƒ”ƒ@ƒeƒB[ƒi`‰f‰æuƒfƒBƒAƒnƒ“ƒ^[v‚æ‚è^Stanley Myersì‹È@John Williams•Ò‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j
ƒ‚[ƒcƒ@ƒ‹ƒg‚ÌŽå‘è‚É‚æ‚阑t‚Æ•Ï‘t‹È^Fernando Sorì‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j
ƒAƒŒƒOƒ^Gerorg Friedrich Hendelì‹ÈiƒMƒ^[“ñd‘tF‰º‘º‰êŠîAŽO‰Y”Ž”Vj
ƒMƒ^[“ñd‘t‹Èƒg’·’²ì•i‚R‚S^Ferdinando Carulliì‹È@Waiter Gotze•Ò‹ÈiƒMƒ^[“ñd‘tF‰º‘º‰êŠîAŽO‰Y”Ž”Vj

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ƒ[ƒŒƒ‰ƒCEƒpƒ‰ƒtƒŒ[ƒY^J.Nesvadbaì‹È
ƒhƒ“EƒWƒ‡ƒoƒ“ƒjEƒZƒŒƒi[ƒf^ Wolfgang Amadeus Mozartì‹È
ƒXƒ‰ƒusi‹È^Piotr llyich Tchailovskyì‹È

@1987.5.22‘æ18‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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uƒAƒCƒlEƒNƒ‰ƒCƒlEƒiƒnƒgƒ€ƒW[ƒNv‚æ‚è@‘æ‚PŠyÍAllegro^Wolfgang Amadeus Mozartì‹È
ƒJƒmƒ“^Johann Pachelbelì‹È
ŠC‚Ì‘g‹È^Amedeo Amadeiì‹È

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ƒ{ƒ‹ƒKEƒ}[ƒ`iƒƒVƒA–¯—wj
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ƒyƒ“ƒVƒ‹ƒoƒjƒAƒ|ƒ‹ƒJiƒAƒƒŠƒJ–¯—wj^•½ŽR‰pŽO˜Y•Ò‹È
ƒIƒŠ[ƒu‚ÌŽñü‚è^Claude Morganì‹È
”M‚«S‚É^‘å‘ê‰rˆêì‹È
’lj¯^Marvin Hamlischì‹È
—x‚è‚ ‚©‚»‚¤

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ƒOƒ‰ƒEƒR‚̔߂µ‚Ý^A.Mazzolaì‹È
Œð‹¿Žu”ä—…•vƒ†[ƒJƒ‰v^—é–ØÈêì‹È

@1986.5.28‘æ17‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È
éƒP“‡‚̉J^—À“c’åì‹È@‹`“ck”V•Ò‹È
utv•Ï‘t‹È^¬’r³•vì‹È

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ƒyƒ‹[‚̉S^–FŽuŒËŠ²—Yì‹ÈiƒMƒ^[“Æ‘tF‰ú”\“N—Yj
ƒAƒ‰ƒrƒA•—Šï‘z‹È^Francisco Tarregaì‹ÈiƒMƒ^[“Æ‘tF‰ú”\“N—Yj
ƒAƒXƒgƒDƒŠƒAƒX^Isaac Albenizì‹È@Francisco Tarrega•Ò‹ÈiƒMƒ^[“Æ‘tF¼‹Fsj
w–‚“Jx‚ÌŽå‘è‚É‚æ‚é•Ï‘t‹È^Fernando Sorì‹ÈiƒMƒ^[“Æ‘tF¼‹Fsj
ƒŒEƒvƒŒƒ~ƒGƒ‹EƒpƒX^Fernando Sorì‹ÈiƒMƒ^[“ñd‘tFˆäã¹A‹v•Û“ck¶j
ƒXƒyƒCƒ“•—Šï‘z‹È^Carlo Munierì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Žj

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ƒ”ƒFƒ‹ƒŒ[ƒk‚ÌŽ‚ÉŠñ‚¹‚é‚RŠyÍ^—é–ØÈêì‹È
˜‹È4”Ôƒ’Z’²^Konrad Wolkiì‹È

@1985.7.16‘æ16‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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ƒ~ƒŒ[ƒi^Mario Machiocchiì‹È
ƒAƒ_[ƒWƒ‡@ƒg’Z’²^Tomaso Giovanni Albinoniì‹È
¬Œð‹¿Žuƒ}ƒ“ƒhƒŠƒ“‚ÌŒQ‚êv^Carlo Alberto Braccoì‹È

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ƒMƒ^[ŽOd‘t‚É‚æ‚é ‚Q–{‚̃tƒ‹[ƒg‚Ì‚½‚ß‚Ì‹¦‘t‹ÈOp.47-2iRV.533j^Antonio Vivaldiì‹ÈiƒMƒ^[ŽOd‘tF•Ð‰ª˜a’jA‘ò“c‘ìŽuA‘åâŒMj

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‰¹ŠyŽu–ö‰Í´vi–kŒ´”’Hw‚킪¶‚¢‚½‚¿x‚Ì‹L‚ɂ悹‚Äj^—é–ØÈêì‹È
Ld‚ÌŠG‚Æ”mÔ‚Ì‹å‚ÉŠñ‚¹‚錶‘z‹Èu•xŽm—·îv^—é–ØÈêì‹È

@1984.6.30‘æ15‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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‚¨‚à‚¿‚á‚ÌŒð‹¿‹È^Leopold Mozartì‹È@‰ª–{ò•Ò‹È
ƒ”ƒ@ƒCƒIƒŠƒ“‹¦‘t‹ÈWOp.3u’²˜a‚̗슴v‚æ‚è‘æ‚U”ÔƒC’Z’²^Antonio Vivaldiì‹È@ˆäã¹A‘åâŒM•Ò‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF‚‹´—TŽqj
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“ñd‘tƒ\ƒiƒ^‘æ1”Ôƒn’·’²ì•i‚T^‚fDƒQƒ‹ƒ”ƒ@ƒVƒIì‹È
ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^Vittorio Montiì‹È

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ƒƒ}ƒ“ƒcƒ@‚ƃ{ƒŒƒuáv^Hyacinthe Lavitoranoì‹È
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Æ“Æ¥‚Ì‚½‚ß‚ÌæŽw•—ŽÔ¬‰®•Ö‚èx‚æ‚èu¯v^‘åŒI—Tì‹ÈiƒiƒŒ[ƒVƒ‡ƒ“FŽR’†—tŽq@“Æ¥FM‹g‹MŽqj

@1983.7.1‘æ14‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

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uƒOƒŠ[ƒ“ƒXƒŠ[ƒuƒXv‚É‚æ‚錶‘z‹È^Ralph Vaughan Williamsì‹È@ˆä㹕ҋÈ
–S‚«‰¤—‚Ì‚½‚߂̃pƒ”ƒ@[ƒk^Maurice Ravelì‹È@‘åâŒM•Ò‹È
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̇‘t‹¦‘t‹Èƒn’Z’²^Antonio Vivaldiì‹È@‘åâŒMA‰F“cM—²•Ò‹È

‘æ‚Q•”
ƒtƒ@ƒ“ƒ^ƒWƒA^Alonso Mudarraì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj
ƒtƒ@ƒ“ƒ^ƒWƒA^Sylvius Leopold Weisì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj
ƒtƒ@ƒ“ƒ^ƒWƒA^John Dowlandì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj
ƒTƒ‰ƒoƒ“ƒh^Johann Sebastian Bachì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j
ƒƒ‰ƒ“ƒRƒŠƒA^Mario Castelnuovo-Tedescoì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j
ƒ‚ƒQ[ƒ‹‚Ì‹ó‚É‚¢‚éƒvƒ‰ƒe[ƒ^Mario Castelnuovo-Tedescoì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j
Œ¶‘z“Iƒƒ‹ƒc^Enrico Marucelliì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Ž@ƒMƒ^[“Æ‘tF‘åâŒMj
ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃMƒ^[‚ׂ̈̋¦‘t•—ƒ\ƒiƒ^@ƒC’·’²^Niccolo Paganiniì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Ž@ƒMƒ^[“Æ‘tF‘åâŒMj

‘æ‚R•”
Šì‰ÌŒ€wŽl‚Æ”_•vx˜‹È^Franz von Suppeì‹È@Œ¢ˆäÍ•v•Ò‹È
Ž“I“ñÍ^“¡Š|œAKì‹È

@1982.11.18‘æ13‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

1•”
‘g‹ÈuƒhƒŠ[v‚æ‚è@ŽqŽç‰SAƒLƒeƒBEƒƒ‹ƒcAƒXƒyƒCƒ“•‘‹È^Gabriel Faureì‹È@‘åâŒM•Ò‹È
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̇‘t‹¦‘t‹Èƒn’·’²^Antonio Vivaldiì‹È@‘åâŒMA‰F“cM—²•Ò‹È

2•”
ƒZƒŒƒi[ƒfNo.1^F.ƒJƒ‹ƒŠì‹ÈiƒMƒ^[F‘åâŒMAA“c˜a¶j
ƒXƒyƒCƒ“•‘‹È^E.ƒOƒ‰ƒiƒhƒXì‹ÈiƒMƒ^[F‘åâŒMAA“c˜a¶j
ƒnƒ“ƒKƒŠƒA‹¶Ž‹È^D.ƒ|ƒbƒp[ì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒsƒAƒmF“n•ÓKŽqj

3•”
ŠC‚̔ߌ€^‚rDƒWƒ‡ƒ“
á‚̖铹^ìè’å—˜
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃{ƒJƒŠ[ƒY‡V‚æ‚èu‚½‚»‚ª‚ê‚Ì‚¤‚½£^ŒF’JŒ«ˆêì‹È

@1981.6.5‘æ12‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“)

1•”
ƒXƒ‰ƒu•‘‹È‘æ10”Ô^Antonin Dvorakì‹È
‘g‹Èwƒy[ƒ‹EƒMƒ…ƒ“ƒgx‚æ‚è@ƒI[ƒ[‚ÌŽ€AƒAƒjƒgƒ‰‚Ì—xƒŠAƒ\ƒ‹ƒ”ƒFƒCƒO‚̉Ì^Edvard Griegì‹È
w^‰Ä‚Ì–é‚Ì–²x‚æ‚è@Œ‹¥si‹È^Felix Mendelssohnì‹È

2•”
‹½D‚̃Vƒ‡[ƒ^ƒoƒŠƒIƒXì‹ÈiƒMƒ^[ƒ\ƒF‰«“c‰v’jj
ƒGƒ`ƒ…[ƒh‘æ11”Ô^ƒ”ƒBƒ‰ƒƒ{ƒXì‹ÈiƒMƒ^[ƒ\ƒF‰«“c‰v’jj
ƒvƒŒƒŠƒ…[ƒh‘æ1”Ô^ƒ”ƒBƒ‰ƒƒ{ƒXì‹ÈiƒMƒ^[ƒ\ƒF‰F“cM—²j
ƒƒ‹ƒc^ƒ|ƒ“ƒZì‹ÈiƒMƒ^[ƒ\ƒF‰F“cM—²j
ƒAƒ‹ƒnƒ“ƒuƒ‰‚ÌŽv‚¢o^ƒ^ƒŒƒKì‹ÈiƒMƒ^[ƒ\ƒF‚‹´Gºj
ré‚ÌŒŽ•Ï‘t‹È^ˆ¢•”•Û•v•Ò‹ÈiƒMƒ^[ƒ\ƒF‚‹´Gºj
ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^ƒ‚ƒ“ƒeƒBì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒMƒ^[F‘åâŒMj
‰‰‘t‰ï—p‰~•‘‹È^ƒ€ƒjƒGƒ‹ì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒMƒ^[F‘åâŒMj

3•”
ƒZƒŒƒi[ƒf‘æ2”Ô^“¡Š|œAKì‹È

@1980.6.6‘æ11‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j

1•”
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃\ƒiƒ^@ƒC’Z’²^‹v•Û“cFì‹È
u”ª‚‚̃oƒ‰[ƒhv‚æ‚è@‚¢ƒwƒ`ƒ}A–Ø”nAƒJƒ‰ƒXA¯‚Ì‚±‚Ç‚àAƒtƒBƒi[ƒŒ^“¡Š|œAKì‹È

2•”
‚¨‚Ä‚à‚â‚ñiŒF–{–¯—wj^“Œðr–¾•Ò‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j
“ñ‚‚̃Mƒ^[iƒƒVƒA–¯—wj^‹g“cŒõŽO•Ò‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j
ƒƒ‹ƒcOp.64-2^F.Chopinì‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j
Leichtes Trio Op.26^Leonhard von Callì‹ÈiƒMƒ^[ŽOd‘tFˆäã¹A‰F“cM—²A‘åâŒMj

3•”
Capriccio SapporoiŽD–y‹¶Ž‹Èj^´…•Û—Yì‹È
ƒXƒ^ƒo[ƒgEƒ}[ƒeƒ‹^“¡Š|œAKì‹È

@1979.6.8‘æ10‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j

1•”
–é‘z“IŠÔ‘t‹È^R.Crepaldiì‹È
ƒ”ƒ@ƒCƒIƒŠƒ“‹¦‘t‹È‚æ‚è‘æ2ŠyÍ^P.I.Tchaikovskiì‹È
Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È

2•”
‰Ô^‘ê—õ‘¾˜Yì‹È@•ž•”³•Ò
o‘D^™ŽR’·’J•vì‹È@•ž•”³•Ò‹È
‰—ö^‰z’J’B”V•ì‹È@•ž•”³•Ò‹È
‰Ä–XŽq‚ð”í‚Á‚Ä^’†–ì“ñ˜Yì‹È
ŒÜŒŽ‰J‚é‚é“ú‚Ì—JŸT^’†–ì“ñ˜Yì‹È

3•”
ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚錀“I‘g‹Èwl‹›x^—é–ØÈêì‹È

@1978.6.2‘æ9‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j

1•”
ƒgƒDƒŒƒfƒBƒ`^J.B.Kokì‹È
ˆ¤‚̃`ƒƒƒ‹ƒ_ƒbƒVƒ…^G.Jean•M.S.Paul
ÅŒã‚̃Xƒe[ƒW^F.Menichettiì‹È

2•”
Œ¶‘z“I‰~•‘‹È^E.Marucelliì‹Èiƒ}ƒ“ƒhƒŠƒ“FŒö•¶—TŽqAƒMƒ^[F‘åâŒMj
ƒCƒMƒŠƒX‘g‹È^J.W.Duarteì‹ÈiƒMƒ^[ƒ\ƒF‘åâŒMj
ƒ}ƒŠƒGƒbƒ^^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j
ƒ}ƒŠƒA^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j
ƒAƒ‰ƒrƒA•—Šï‘z‹È^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j

3•”
utv•Ï‘t‹È^¬’r³•vì‹È
Œð‹¿Žuœ\èÓi‚Ý‚ë‚­jv^Ôé~ì‹È

@1976.6.10‘æ7‰ñ’èŠú‰‰‘t‰ï@‚Vƒz[ƒ‹

1•”
•l•Ó‚̉S^¬“cˆ×ŽOì‹È@’†–ì“ñ˜Y•Ò‹È
‚±‚Ì“¹^ŽR“ckâ©ì‹È@•ž•”³•Ò‹È
‰—ö^‰z’J’B”V•ì‹È@•ž•”³•Ò‹È
‰Ä–XŽq‚ð”í‚Á‚Ä^’†–ì“ñ˜Y
ŒÃíê‚ÌH^¬’r³•vì‹È

2•”
ƒZƒŒƒi[ƒf^Franz Schbertì‹È@•½ŽR‰pŽO˜Y•Ò‹Èiƒ}ƒ“ƒhƒŠƒ“Fâ–{wˆêA¬Š}Œ´^’mŽqj
•ê‚É•ù‚®‚éƒ\ƒiƒ`ƒl^‰¡”öKOì‹ÈiƒMƒ^[F–ì“c³•FA”Œ´Œ’j
ƒgƒŒƒ‚ƒ^G.Gomezì‹ÈiƒMƒ^[ƒ\ƒF¬“‡ˆê—˜j
ƒ‰EƒJƒeƒhƒ‰ƒ‹^A.Barriosì‹ÈiƒMƒ^[ƒ\ƒF¬“‡ˆê—˜j

3•”
ƒ”ƒFƒ‹ƒŒ[ƒk‚ÌŽ‚ÉŠñ‚¹‚é‚RŠyÍ^—é–ØÈêì‹Èi˜N“ÇF‰ª‘ºŒöŽŸ˜Yj

4•”
”߉Ì^C.A.Braccoì‹È
‹F‚è^S.Salvettiì‹È
˜‹È‘æ1”ÔƒC’·’²^K.Wolkiì‹È

@1975.6.7‘æ6‰ñ’èŠú‰‰‘t‰ï@”_‹¦‰ïŠÙ‚UFƒz[ƒ‹

1•”
¬si‹È •ˆä@Žç¬
—Ž—t‚̸ •ˆä@Žç¬
Œ¬–K‚é‚éH‰J •ˆä@Žç¬
t‚̃mƒXƒ^ƒ‹ƒWƒA •ˆä@Žç¬
Ž€‚¹‚éŽál‚É •ˆä@Žç¬

2•”
—ö‚Ì‚¤‚®‚¢‚·^F.Couperinì‹ÈiƒŠƒR[ƒ_[F²’|Hj
ƒ}ƒ“ƒhƒŠƒ“‚ׂ̈̃\ƒiƒ`ƒl@ƒn’Z’²^Ludwig van Beethovenì‹Èiƒ}ƒ“ƒhƒŠƒ“F–k‘ºçŽqAƒMƒ^[F“z“cŒ´²ˆê j
ƒ~ƒƒ“ƒK@ƒtƒ‰ƒƒ“ƒJ^Sabicasì‹È@K.Wolki•Ò‹ÈiƒMƒ^[F¬“cؑגõA–ì“c³•FA•ìKŽqj
‘g‹È‘æ4”Ô“ñ’Z’²‚æ‚èƒTƒ‰ƒoƒ“ƒh‚Æ•Ï‘t^Sabicasì‹È@K.Wolki•Ò‹ÈiƒMƒ^[F¬“cؑגõA–ì“c³•FA•ìKŽqj

3•”
‰¹ŠyŽu–ö‰Í´vi–kŒ´”’Hw‚킪¶‚¢‚½‚¿x‚Ì‹L‚ɂ悹‚Äj^—é–ØÈêì‹Èi˜N“ÇF‰ª‘ºŒöŽŸ˜Yj

4•”
ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È
”g^C.G.Walterì‹È
ƒAƒ‹ƒ‚[ƒ‹^H.Bertì‹È

@1974.6.8‘æ5‰ñ’èŠú‰‰‘t‰ï@”_‹¦‰ïŠÙ‘åƒz[ƒ‹

1•”
o‘D^™ŽR’·’J•vì‹È@•ž•”³•Ò‹È
u’±Xv‚ðŽå‘è‚Æ‚¹‚é•Ï‘t‹È^•ž•”³•Ò‹È
Ž¶‚ç‚ê‚Ä^O“c—³‘¾˜Yì‹È@•ž•”³•Ò‹È
—·D‚ÌŽå‘è‚É‚æ‚é•Ï‘t‹È^•ž•”³•Ò‹È

2•” ƒMƒ^[“ñd‘tE“Æ‘tiˆäã¹A“c‘ºGj
ƒgƒŠ[ƒn^ƒgƒƒo
ƒAƒ“ƒ_ƒ“ƒe^ƒ”ƒBƒ”ƒ@ƒ‹ƒfƒB
ƒpƒo[ƒi^ìŽÒ•sÚ
ƒƒ“ƒh^ƒJƒ‹ƒŠ

3•”
ƒVƒo‚Ì—‰¤^ƒ~ƒbƒVƒFƒ‹Eƒ[ƒ‰ƒ“ì‹È
ˆ£D‚̃Aƒ_[ƒWƒ‡^ƒ~ƒJƒGƒ‹Eƒ”ƒ@ƒbƒPƒXì‹È
Œð‹¿‹È‘æ41”Ôƒn’·’²KE551uƒWƒ…ƒsƒ^[v^Wolfgang Amadeus Mozartì‹È

4•”
¼ˆæ‚æ‚è^ìè’å—˜ì‹È
ƒXƒyƒ‰ƒ“ƒcƒ@^ƒTƒ‹ƒgƒŠ
ƒIƒ‰ƒbƒ`ƒIŒZ’í‚ƃNƒŠƒAƒbƒ`ƒIŒZ’í^ƒ`ƒ}ƒ[ƒUì‹È@ƒ|[ƒŠ•Ò‹È


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