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@2023.7.8 | ‘æ53‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§”üpŠÙƒz[ƒ‹@ŠJ‰‰18Žž30•ª ‘æ‚P•” @ƒƒIƒyƒ‰uƒtƒBƒKƒ‚ÌŒ‹¥(Le Nozze di Figaro)v‚æ‚è„ No.1@5,10,20,,,‚â‚Á‚Æ‚Å‚«‚½‚í‘f“G‚ȉԉŖXŽq No.2@‰œ•û‚©‚炨ŒÄ‚Ñ‚Ì‚Æ‚«‚Í No.5@‚¨æ‚É‚Ç‚¤‚¼‹C‚‚¢‰œ•û—liŒ–‰Ü‚Ì“ñd‘tj No.7@‰½‚½‚邱‚ÆA’¼‚¿‚É“z‚ð’Ç‚¢o‚¹ No.11@—ö‚Ì”Y‚Ý’m‚éŒN‚Í No.16@‚±‚Ì‹¹‚É‹¶‚¤—ö‚̉Š‚ð No.20@‚₳‚µ‚¢‚»‚æ•—‚ªiŽèŽ†‚Ì“ñd‘tj No.9@‚à‚¤”ò‚ׂȂ¢‚¼‚±‚Ì’±X No.13@ƒXƒUƒ“ƒio‚Ä‚‚é‚Ì‚¾ ƒtƒBƒKƒ@’Ø“àˆê˜Y ƒXƒUƒ“ƒi@]–ì‚Ђ©‚é•‘åú±N‘ã ”ŒŽÝ@ŽR–{K—Y ”ŒŽÝ•vl@’†–숤‹| ƒPƒ‹ƒr[ƒm@”~Œ´‚ä‚©‚è ƒoƒWƒŠƒI@ŽR‰ª˜J ‘æ‚Q•”@ƒƒAƒ“ƒTƒ“ƒuƒ‹„ ƒMƒ^[“ñd‘t@ƒ}ƒŠƒAEƒGƒŒ[ƒi^ƒXƒ^[Eƒ_ƒXƒg ƒ}ƒ“ƒhƒŠƒ“•ƒ}ƒ“ƒhƒZƒ•ƒMƒ^[@˜I‚Ì’©“¹ ƒMƒ^[ŽOd‘t@ƒIƒ‹ƒtƒF‚̉S^–é–¶‚Ì‚µ‚̂ш§‚¢ ‘æ‚R•”@ƒƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰„ ‚Ђ±‚¤‚«‰_iì‹ÈFrˆä—R”üA•Ò‹ÈFŽðˆä‘ìj ‚à‚Ì‚Ì‚¯•P`ƒAƒVƒ^ƒJ‚¹‚Á‹Liì‹ÈF‹vÎ÷A•Ò‹ÈFÂŽR—Áj ƒIƒŠƒGƒ“ƒg‚ÌqÕiì‹ÈFÂŽR—Áj ƒAƒ“ƒR[ƒ‹@¢ŠE‚Ì–ñ‘©iì‹ÈF‹vÎ÷A•Ò‹ÈF’†–ìŒOj |
@2022.7.9 | ‘æ52‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§”üpŠÙƒz[ƒ‹ ‘æ‚P•” ƒSƒWƒ‰‚̃e[ƒ}^ˆÉ•Ÿ•”ºì‹È “z“cŒ´²ˆê•Ò‹È ’j‚͂‚炢‚æ(‰f‰æw’j‚͂‚炢‚æxŽå‘è‰Ì)^ŽR–{’¼ƒì‹È@¬ì‘ô–ç•Ò‹È “¹(Gelsomina)^NinoRotaì‹È ‹g…G“¿•Ò‹È ƒƒ~ƒI‚ƃWƒ…ƒŠƒGƒbƒg^NinoRotaì‹È •“¡—Œb•Ò‹È hˆ¤‚̃VƒƒƒŠƒIh`“VŽg‚Ƀ‰ƒuƒ\ƒ“ƒO‚ð`^Del Roma / J.W.Stoleì‹È@•“¡—Œb•Ò‹È Sing, Sing, Sing^Louis Primaì‹È Kèˆêm•Ò‹È ‘æ‚Q•” —Ú—žF‚Ì’n‹…^•½ˆä‰Ä”üì‹È , ‚Æ‚à‚±DSS&wakop•Ò‹Èi1stM •l“c,²X–Ø,2ndM Žá“¡,ŽO‹{j ¬ƒt[ƒK@ƒg’Z’²^Johann Sebastian Bachì‹È ™‘ºº’j•Ò‹ÈiGuitar:™‘º, ˆäã,ŽR‰ª,‰¡–îj –S‚«‰¤—‚Ì‚½‚߂̃pƒ”ƒ@[ƒk^Joseph Maurice Ravelì‹È •Ÿ‰®“Ä•Ò‹ÈiMandolin:•l“c,²X–Ø,Žá“¡,ŽO‹{ Mandola:¡¼,’¬ Mandocello:‘O“cj ƒiƒ^Eˆ¤‚̃e[ƒ}`ƒjƒ…[ƒVƒlƒ}ƒpƒ‰ƒ_ƒCƒX`^Ennio Morriconeì‹È •“¡—Œb•Ò‹ÈiMandolin:•l“c,²X–Ø,Žá“¡,ŽO‹{ Mandola:¡¼,’¬ Mandocello:‘O“c Guitar:ŽR‰ª,‰¡–î) ŒN‚Í“V‘RF^‘å‘ë‰rˆêì‹È@ÂŽR—Á•Ò‹Èi V j ‘æ‚R•” ƒ‹[ƒ}ƒjƒA–¯‘•‘‹È^Bartók Belaì‹È Ippo Tsuboi•Ò‹È ƒAƒ“ƒ_ƒ“ƒeEƒJƒ“ƒ^[ƒrƒŒ^Tschaikowskyì‹È “z“cŒ´²ˆê•Ò‹È ƒ”ƒHƒJƒŠ[ƒY^Selgei Rachmaninoffì‹È ‹AŽR‰hŽ¡•Ò‹È ƒtƒBƒ“ƒ‰ƒ“ƒfƒBƒA^Jean Sibeliusì‹È S. Nutahara•Ò‹È ƒAƒ“ƒR[ƒ‹ ‚Ђ܂í‚è |
@2021.6.12 | ‘æ51‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ‚ӂ邳‚Æ(—’ g”’ƒo[ƒWƒ‡ƒ“)^youth caseì‹È yutaka-s•Ò‹È g˜@‰Ø for Mandolin Orchestra^‘–ì‰Ø—]Žqì‹È@Stellato•Ò‹È ‰Š for Mandolin Orchestra^ŠŒ´—R‹Iì‹È Stellato•Ò‹È ‚Q‚‚̓®‹@^‹g…G“¿ì‹È ŒŽ‚É•‘‚¤^•“¡—Œbì‹È ‘æ‚Q•” êt–¾˜‹È^—é–ØÈêì‹È ”ü‚µ‚«—[•é‚ê^ƒNƒ[ƒhEƒhƒrƒ…ƒbƒV[ì‹È@²“¡”ü“¹•Ò‹È ƒxƒ‹ƒKƒ}ƒXƒN‘g‹È‚æ‚èuŒŽ‚ÌŒõv^ƒNƒ[ƒhEƒhƒrƒ…ƒbƒV[ì‹È@“z“cŒ´²ˆê•Ò‹È Œ€“I˜Šyu×ìƒKƒ‰ƒVƒƒv^—é–ØÈêì‹È ƒAƒ“ƒR[ƒ‹uwêi—Ù‚ª‚‚éx‚æ‚è@WarriorPastv |
@2019.7.13 | ‘æ50‰ñ’èŠú‰‰‘t‰ï@‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æi‘åƒz[ƒ‹j ‘æ1•” RUMBA fur Zupforchester^Dieter Kreidlerì‹È KONZERT a-moll fur Solo-Violone,zwei Floten und Zupforchester^Konrad Woikiì‹È iƒ”ƒ@ƒCƒIƒŠƒ“F–Ú‘ã”ü˜a@‘æ1ƒtƒ‹[ƒgF‰ª—ш»@‘æ2ƒtƒ‹[ƒgF—§ì–¢—ˆj ƒ^ƒCƒX‚ÌáÒ‘z‹Èiƒ\ƒŠƒXƒgƒAƒ“ƒR[ƒ‹j^Jules Massenetì‹È@’†ìŠì”üŽq•Ò‹È ‘æ2•”y—ð‘ãƒAƒ“ƒR[ƒ‹‹Èz ãNãa”V˜HiƒVƒ‹ƒNƒ[ƒh‚̃e[ƒ}j^Šì‘½˜Yì‹È@“z“cŒ´²ˆê•Ò‹È wƒ‰ƒXƒgƒGƒ“ƒyƒ‰[xƒe[ƒ}^â–{—´ˆêì‹È@Kèˆêm•Ò‹È The Rose^Amanda McBroomì‹È^ã–ì—T‰î•Ò‹È ‰Ô‚Íç‚^›–ì‚悤Žqì‹È@’†–ìŒO•Ò‹È ‚¢‚¢“ú—·—§‚¿^’J‘ºVŽiì‹È@“z“cŒ´²ˆê•Ò‹È ‚ ‚¸‚³2†^“s‘qrˆêì‹È@“z“cŒ´²ˆê•Ò‹È ‘æ3•” wƒGƒOƒ‚ƒ“ƒgx˜‹È^Ludwig van Beethovenì‹È@“z“cŒ´²ˆê•Ò‹È Œð‹¿Žu”ä—…•vƒ†[ƒJƒ‰v–kª‚ÌŽj^—é–ØÈêì‹È |
@2018.6.30 | ‘æ49‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ1•” wƒAƒ‹ƒ‹‚Ì—x‘æ2‘g‹È^Georges Bizetì‹È@‰““¡GˆÀ•Ò‹È ‘æ2•”yƒAƒ“ƒTƒ“ƒuƒ‹ƒXƒe[ƒWz ‘¾—z‚ª‚¢‚Á‚Ï‚¢A‰e‚ð•ç‚¢‚ÄiMandoloncello:‘O“c—ŠG@Guitar:ŽR‰ª¢‹I’jj ˆ©^ŠÛ–{‘åŒåì‹ÈiMandolin:•l“c[Žq@Mandola:’†ìŠì”üŽqj ‘º‚Ì–ºAŒN‚ð‚Ì‚¹‚ÄiMandola“ñd‘tF¡¼áÁ’mŽqA’¬áÁ‹|j ¢ŠE‚Ì–ñ‘©`l¶‚̃ƒŠ[ƒS[ƒ‰ƒ“ƒhA‚¢‚Ì‚¿‚Ì‹L‰¯iMandolin1:•l“c[Žq@Mandolin2:Žá“¡”ü‹I@Mandola:’†ìŠì”üŽq@Mandoloncello:‘O“c—ŠG@Guitar:â–{—z”üj 365“ú‚ÌŽ†”òs‹@A‚³‚‚çiMandolin1:쑺•¶—²@Mandolin2:²X–ج•S‡AŽR”Ê@Mandola:¡¼áÁ’mŽqA’¬áÁ‹|@Mandoloncello:‘O“c—ŠG@Guitar:‰º‘º‰êŠîAˆäã¹j ‘æ3•” ƒCƒXƒpƒjƒAEƒJ[ƒj^Pasqual Marquinaì‹È@ˆäã¹•Ò‹È uƒXƒyƒCƒ“•‘‹ÈWv‚æ‚èuƒIƒŠƒGƒ“ƒ^ƒ‹vƒn’Z’² op.37-2^Enrique Granadosì‹È^“z“cŒ´²ˆê•Ò‹È ƒXƒyƒCƒ“‘æ‚Q‘g‹È^—é–ØÈêì‹È |
@2017.6.10 | ‘æ48‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ1•” ‰Ô^‘ë—õ‘¾˜Yì‹È@‰““¡GˆÀ•Ò‹È ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È ƒsƒAƒm‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌŒ¶‘z‹È^‹v•Û“cFì‹ÈiƒsƒAƒmF™–{¬”üj ‘æ2•”`THE SHOUWA` tˆê”Ô –ؖȂ̃nƒ“ƒJƒ`[ƒt ’ÃŒyŠC‹¬“~ŒiF ˆÙ–Ml SWEET MEMORIES ¹•ê‚½‚¿‚̃‰ƒ‰ƒoƒC ‘æ3•” ’·’J‹¨ŠGŠª‚É‚æ‚鉹Šy•¨ŒêuŽé–åv^—é–ØÈê\¬Eì‹Èi˜N“ÇFŒ´“c—zˆêj |
@2017.4.9 | ‘æ69‰ñ‚’mŽs•¶‰»ÕŠJ–‹sŽ–uƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ª•`‚Œ¶‘z‚Æ•¨Œêv ‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æi‘åƒz[ƒ‹j ‘æ1•” Waltz for"3"^ƒAƒ“ƒhƒEƒ}ƒ†ƒRì‹È ‚³‚‚瑂̃ZƒŒƒi[ƒf^ƒAƒ“ƒhƒEƒ}ƒ†ƒRì‹È ƒsƒAƒm‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌŒ¶‘z‹È^‹v•Û“cFì‹ÈiƒsƒAƒmF™–{¬”üj ‘æ2•” ‰Ô^‘ë—õ‘¾˜Yì‹È@‰““¡GˆÀ•Ò‹È ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È ’·’J‹¨ŠGŠª‚É‚æ‚鉹Šy•¨ŒêuŽé–åv^—é–ØÈê\¬Eì‹Èi˜N“ÇFˆäã‘ôŒÈj |
@2016.11.26 | ‘æ66‰ñ‚’mŒ§Œ|pÕ‹¦Ž^sŽ– ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚É‚æ‚éƒIƒyƒ‰wŽl–œ\x ‡@2016/11/26@18:30` ‡A2016/11/27@14:30` ŒEìŽl–œ\‰ïŠÙ |
@2016.6.11 | ‘æ47‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” wƒ‚ƒ“ƒXƒ^[ƒnƒ“ƒ^[x‚æ‚è@‰p—Y‚ÌØ^b“c‰ëlì‹È@‹g…G“¿•Ò‹È š‰F’ˆ“ÁW @‰F’ˆíŠÍƒ„ƒ}ƒg^‹{ì‘×ì‹È@Kú±ˆêm•Ò‹È @‹â‰Í“S“¹999^ƒ^ƒPƒJƒƒ†ƒLƒqƒfì‹È@Kú±ˆêm•Ò‹È @uƒXƒ^[EƒEƒH[ƒYv‚̃e[ƒ}`E.T.‚̃e[ƒ}Flying^John Williamsì‹È@Kú±ˆêm•Ò‹È ˆ©^ŠÛ–{‘åŒåì‹È ƒAƒ‹ƒ”ƒ@ƒ}[˜‹È^James Barnesì‹È@ŒKŒ´N—Y•Ò‹È ‘æ‚Q•” ƒyƒ‹ƒVƒƒ‚ÌŽsê‚É‚Ä ƒ~ƒ…[ƒWƒJƒ‹uWEST SIDE STORYv‚æ‚è@Tonight uƒTƒEƒ“ƒhEƒIƒuEƒ~ƒ…[ƒWƒbƒNvƒƒhƒŒ[ |
@2015.6.27 | ‘æ46‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ”ž‚̉S^’†“‡‚Ý‚ä‚«ì‹È@Žðˆä‘ì•Ò‹È ‚³‚‚瑂̃ZƒŒƒi[ƒf^ƒAƒ“ƒhƒEƒ}ƒ†ƒRì‹È ŒÃ•—‚ȃvƒŒƒŠƒ…[ƒh‚ƃAƒŠƒA^ƒAƒ“ƒhƒEƒ}ƒ†ƒRì‹È ‚¨‚‚è‚Ñ‚Æ^‹vÎ÷ì‹È@•“¡—Œb•Ò‹È Paradiso^•“¡—Œbì‹È ‘æ‚Q•” ‰ÌŒ€wƒoƒOƒ_ƒbƒg‚Ì‘¾Žçx˜‹È^Francois Adrien Boieldieuì‹È@‹v•Û“cF•Ò‹È Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È y‚’m‚Ìì‹È‰Æ‚ƃ}ƒ“ƒhƒŠƒ“z •lç’¹`ŒC‚ª‚È‚é^O“c—´‘¾˜Yì‹È •½éŽR^•½ˆäNŽO˜Yì‹È ƒIƒyƒ‰wŽl–œ\x‚æ‚è@Žl–œ\‚Ì‚¤‚½^Šâ–{Œ\Žiì‹È @‡¥F“¶—w‚³`‚‚éô‚ç‚ç‚çôA“¶—w‚³`‚‚éô‚ققÙôAƒR[ƒ‰ƒX‚±‚Å‚Ü‚è |
@2014.6.7 | ‘æ45‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” yMarionette‹ÈWz Lisboa dos ApaixonadosiƒŠƒXƒ{ƒ“‚Ì—öl‚½‚¿j^“’ó—²ì‹È@X–{˜aK•Ò‹È Disco MoscowiƒfƒBƒXƒREƒ‚ƒXƒNƒj^‹g“c„Žm•“’ó—²ì‹È@“à“¡³•F•Ò‹È ÷ƒmƒTƒ_ƒ^“’󗲕‹g“c„Žmì‹È@“à“¡³•F•Ò‹È Longe ao ZIPANGUi“ì”Ø“n—ˆj^“’ó—²ì‹È@ŒäèŒb•Ò‹È yƒ}ƒ“ƒhƒŠƒ“‚Å’®‚ƒeƒŒƒr‰¹ŠyWz ƒAƒjƒuƒTƒUƒG‚³‚ñvƒI[ƒvƒjƒ“ƒO^“›”ü‹ž•½ì‹È@‰““¡GˆÀ•Ò‹È ƒAƒ“ƒpƒ“ƒ}ƒ“‚̃}[ƒ`^ŽO–Ø‚½‚©‚µì‹È@”öŠÖ”ü˜aŽq•Ò‹È ‚m‚g‚j˜A‘±ƒeƒŒƒr¬à‚æ‚è ‚ ‚Ü‚¿‚á‚ñƒe[ƒ}^‘å—F—ljpì‹È@Žðˆä‘ì•Ò‹È ƒJ[ƒl[ƒVƒ‡ƒ“^’Å–¼—ÑŒçì‹È@X–{˜aK•Ò‹È ‰J‚Ì‚¿°ƒŒƒ‹ƒ„^–kì—ImE²“¡˜aÆì‹È@Žðˆä‘ì•Ò‹È ‚³‚©‚³‚Ü‚Ì‹ó^›–ì‚悤Žqì‹È@X–{˜aK•Ò‹È ‘æ‚Q•” ‚h Mandolini a congressoIiƒ}ƒ“ƒhƒŠƒ“‚ÌŒQ‚êj^M.C.A.Braccoì‹È ƒPƒ‹ƒgù—¥‚É‚æ‚éƒAƒ_[ƒWƒ‡^Max Bruchì‹È@Αº—²s•Ò‹Èiƒ}ƒ“ƒhƒƒ“ƒ`ƒFƒ“Æ‘tF“c‘º²ˆê˜Nj ¶–½‚ÌŽ^Œ´“c“Œ–°ìŽŒ@“¡Š|œAKì‹È i‡¥F“¶—w‚³`‚‚éô‚ç‚ç‚çôA“¶—w‚³`‚‚éô‚ققÙôAƒR[ƒ‰ƒX‚±‚Å‚Ü‚èA“¶—w‘º‚̉¹ŠyŽºj |
@2013.6.1 | ‘æ44‰ñ’èŠú‰‰‘t‰ï@@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ƒSƒbƒhƒtƒ@[ƒU[ˆ¤‚̃e[ƒ} ƒJƒ^ƒŠƒJƒ^ƒŠ ™ƒI[ƒ\ƒŒƒ~ƒI Žl‹G‚æ‚èutv ƒMƒ^[‹¦‘t‹Èƒj’·’² ™ƒAƒbƒVƒƒ[ƒƒ‹ƒc ‘æ‚Q•” ŽžŠÔ‚Ì•ó” ƒUƒiƒ‹ƒJƒ“ƒh‚É‚Ä ˜‹È‘æ‚P”Ô |
@2012.6.30 | ‘æ43‰ñ’èŠú‰‰‘t‰ï ‚’mŽs•¶‰»ƒvƒ‰ƒU‚©‚é‚Û[‚Æ(‘åƒz[ƒ‹) ‘æ‚P•”@‰ÔE‰ÔE‰Ô ‰Ô^‘ê—õ‘¾˜Yì‹È@“z“cŒ´²ˆê•Ò‹È ƒnƒiƒ~ƒYƒL^ƒ}ƒVƒRƒ^ƒcƒƒEì‹È@¬ŠÖ—˜K•Ò‹È ‰Ô`‚·‚ׂĂÌl‚ÌS‚ɉԂð`^Šì”[¹‹gì‹È@‚½‚©‚µ‚Ü‚ ‚«‚Ђ±•Ò‹È ‚³‚‚烃hƒŒ[ ƒRƒuƒNƒu÷v`‰ÍŒû‹±Œáu÷v`ƒPƒcƒƒCƒVu‚³‚‚çv`‚¢‚«‚à‚Ì‚ª‚©‚èuSAKURAv`XŽR’¼‘¾˜Nu‚³‚‚ç@“Æ¥v^‰““¡GˆÀ•Ò‹È ‚Ђ܂í‚è^Henry Manciniì‹È@‰““¡GˆÀ•Ò‹È ¢ŠE‚Ɉê‚‚¾‚¯‚̉Ô^–ŠŒ´Œh”Vì‹È@kuro yamaguchi•Ò‹È ‘æ‚Q•”@ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‹¿‚« ‰ÌŒ€wƒyƒlƒƒyx˜‹È^Domenico Cimarosaì‹È@’†–ì“ñ˜Y•Ò‹È Mattinatai’©‚̉Ìj^Amedeo Amadeiì‹È ‘O‘t‹Èu‰©¨v^Dino Beruttiì‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̌¶‘z‹È‘æ‚P”ÔƒC’Z’²ì•i22^‹v•Û“cFì‹È |
@2011.7.23 | ‘æ42‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•”@ƒXƒyƒCƒ“‚Ì•—`ƒtƒ‰ƒƒ“ƒR‚Æ‚Ìo‰ï‚¢` ƒCƒXƒpƒjƒAEƒJ[ƒj^Pasqual Marquinaì‹È@ˆäã¹•Ò‹È ƒoƒŒƒGwŽOŠp–XŽqx‚æ‚èu•²‰®‚Ì—x‚èv^Manuel de Fallaì‹È@ˆäã¹•Ò‹È ƒMƒ^[ŒÜd‘t‹È‘æ4”Ôƒj’·’²G.448‚æ‚èuƒtƒ@ƒ“ƒ_ƒ“ƒSv^Luigi Boccheriniì‹È@ˆäã¹•Ò‹È ‘匶‘z‹Èuƒ€[ƒAl‚̃Oƒ‰ƒiƒ_v^Matias Marquez-Garciaì‹È ‘æ‚Q•”@‚i‚`‚o‚`‚m‚Ì•—`‰¹Šy‚Å’Ô‚é“ú–{‚Ì—ðŽj` Ô•ä˜QŽm^ŠHì–ç¡Žuì‹È@Kèˆêm•Ò‹È Œ÷–¼‚ª’Ò^¬˜ZâXŽŸ˜Yì‹È@“c‘º²ˆê˜NE’†ìŠì”üŽq•Ò‹È ‰Ô‚Ì—^ŽOŽ}¬²ì‹È@Kèˆêm•Ò‹È “V’nl^‘哇ƒ~ƒ`ƒ‹ì‹È@’†ìŠì”üŽq•Ò‹È ]`•P‚½‚¿‚Ìí‘`^‹g–“—Çì‹È@’†ìŠì”üŽq•Ò‹È Oriental wind^‹vÎ÷ì‹È@_–ì‚K•Ò‹È Œ€“I˜Šyu×ìƒKƒ‰ƒVƒƒv^—é–ØÈêì‹È |
@2011.4.17 | ‘æ63‰ñ‚’mŽs•¶‰»ÕŠJ–‹sŽ– ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚É‚æ‚éƒIƒyƒ‰uŽl–œ\v ‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æi‘åƒz[ƒ‹j |
@2010.7.17 | ‘æ41‰ñ’èŠú‰‰‘t‰ï@‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æ ‘æ‚P•” ŠC‚̃gƒŠƒgƒ“^—é–ØG¹ì‹È@˜a“c’è”Í•Ò‹È ŠC‚Ì‘g‹È^Amedeo Amadeiì‹È ‚ÌŒ©‚¦‚é•—Œi^¬—Ñ—R’¼ì‹È ‘æ‚Q•” ƒpƒXƒgƒ‰ƒ‹ƒtƒ@ƒ“ƒ^ƒW[^“¡Š|œAKì‹È ƒIƒyƒ‰uŽl–œ\v‚É‚æ‚éuŽl–œ\v‘æ‚P‘g‹È^Šâ–{Œ\Žiì‹È@“z“cŒ´²ˆê•Ò‹È |
@2009.6.27 | ‘æ40‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•”`ƒCƒMƒŠƒX“ÁW` ˆ¤‚̈¥ŽA^Edward Elgarì‹È@“¡–{‹§F•Ò‹È uƒOƒŠ[ƒ“ƒXƒŠ[ƒuƒXv‚É‚æ‚錶‘z‹È^Ralph Vaughan Williamsì‹È ƒPƒ‹ƒg‚Ì—d¸‘g‹È^Bruno Szordikowskiì‹È ‘æ‚Q•” `Castanets‚Ì“ñl‚É‚æ‚éƒ}ƒ“ƒhƒ‰•ƒMƒ^[“ñd‘t` @ƒXƒJƒ{ƒ[ƒtƒFƒA @ƒ‹ƒpƒ“ŽO¢‚̃e[ƒ} @Ž‡—z‰Ô^从Wégì‹È `ƒe[ƒ}‹È“ÁW` @‰F’ˆíŠÍƒ„ƒ}ƒg^‹{ì‘×ì‹È@Kèˆêm•Ò‹È @Inspiration^“z“cŒ´²ˆê•Ò‹È @ƒƒ~ƒI‚ƃWƒ…ƒŠƒGƒbƒg^Nino Rotaì‹È @ƒ‰ƒXƒgƒGƒ“ƒyƒ‰[^â–{—´ˆêì‹È@Kèˆêm•Ò‹È @Ž’j‚ ‚ð‚ɂ悵^²‹´r•Fì‹È@ã–ì—T‰î•Ò‹È ‘æ‚R•” ˜‹ÈƒŒƒi[ƒ^^Hyacinthe Lavitoranoì‹È ƒpƒ”ƒ@[ƒk^Gabriel Faureì‹Èi‡¥F‚¢‚̬º‡¥’cj •‘—x•—‘g‹È‘æ2”Ô^‹v•Û“cFì‹È |
@2008.6.7 | ‘æ39‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•”@ƒ}ƒ“ƒhƒŠƒ“ƒIƒŠƒWƒiƒ‹ ƒcƒbƒvƒI[ƒPƒXƒgƒ‰‚ׂ̈ÌuRUMBAv^Dieter Kreidlerì‹È ƒƒ}ƒ““IƒZƒŒƒi[ƒ^u–²I‚¤‚‚ÂIv^Ugo Bottacchiariì‹È ‚‹ue‰¤qŠC‹L`ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ì“ñ‚‚ÌîŒi`^â–ì‰Ã•Fì‹È ‘æ‚Q•”@ƒWƒuƒŠ“ÁW ƒlƒRƒoƒX Fio-Seventeen Flying Boatmen ‚³‚‚ç‚ñ‚Ú‚ÌŽÀ‚é ƒ‹[ƒWƒ…‚Ì“`Œ¾ ”òsÎ ‹ó‚©‚ç~‚Á‚Ä‚«‚½— ‘æ‚R•” “y²‚Ì–¯—w^•‰pô@ìE•Ò‹È ‘匶‘z‹ÈuŒ¶‚Ì‘v`–ë”n‘ä`^—é–ØÈêì‹È |
@2007.6.23 | ‘æ38‰ñ’èŠú‰‰‘t‰ïi–K“Æ‹L”OŒö‰‰j‚’mŽs–¯•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æ ‘æ‚P•” ƒVƒ…ƒ”ƒ@[ƒxƒ“•—˜‹È^Rudolf Krebsì‹È ƒvƒŒƒŠƒ…[ƒh‚Q^‹g…G“¿ì‹È ‘æ‚Q•” ƒVƒ‹ƒNƒ[ƒh^Šì‘½˜Yì‹È@Kèˆêm•Ò‹È ’¹‚Ìl^‹vÎ÷ì‹È@“¡–{‹§F•Ò‹È “ú–{‚ÌŽl‹G^•“¡—ŠG•Ò‹È ”ª–ØßiŒQ”nŒ§–¯—wj ‘æ‚R•” ŠÇŒ·Šy‘g‹È‘æ‚R”Ô‘æ‚Q‹ÈgAirh^Johann Sebastian Bachì‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚߂̃Vƒ“ƒtƒHƒjƒGƒbƒ^‘æ5”Ô^‘åŒI—Tì‹È |
@2006.6.24 | ‘æ37‰ñ’èŠú‰‰‘t‰ï@‚’mŽs•¶‰»ƒvƒ‰ƒU@‚©‚é‚Û[‚Æ ‘æ‚P•” j“Tsi‹ÈuŒb‚܂ꂽŒ‹¥v^Giussepe Manenteì‹È@’†–ì“ñ˜Y•Ò‹È ‰Ä‚Ì’ë`—[•é‚ê^Primo Silvestriì‹È ˜‹Èu‰ß‹Ž‚Ö‚Ì‘¸Œhv^Lodovico Mellana=Vogtì‹È@ŸdŽRžÄŽ¡•Ò‹È ^ŽìÌ‚è‚̃^ƒ“ƒS ƒuƒ‹[ƒ^ƒ“ƒS ƒŠƒxƒ‹ƒ^ƒ“ƒS ƒuƒGƒmƒXƒAƒCƒŒƒX‚Ì‰Ä ƒ‰EƒNƒ“ƒpƒ‹ƒV[ƒ^ ‘æ‚Q•” Œð‹¿Žu“V‘ƒLƒŠƒVƒ^ƒ“v^—é–ØÈêì‹È ƒsƒAƒm‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌŒ¶‘z‹È^‹v•Û“cFì‹ÈiƒsƒAƒmFPβŽqj |
@2005.6.11 | ‘æ36‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ‰Ì‹ÈWu”’’¹‚̉Ìv‚æ‚è@ƒZƒŒƒi[ƒh^Franz Peter Schubertì‹È@—é–ØÈê•Ò‹È Œ·ŠyƒZƒŒƒi[ƒh@ƒn’·’²^Piotr llyich Tchailovskyì‹È@ã–ì—T‰î•Ò‹È ‘æ‚Q•” ƒ‰ƒbƒp‚«‚Ì‹x“ú^Leroy Andersonì‹È@•“¡—ŠG•Ò‹È ¯‚ÉŠè‚¢‚ð^Leigh Harlineì‹È@•“¡—ŠG•Ò‹È ƒCƒMƒŠƒX–¯—w‘g‹È‘æ‚RŠyÍ@si‹È ƒXƒJƒ{ƒ[EƒtƒFƒA ‘g‹Èu…ã‚̉¹Šyv‚æ‚è@ƒAƒŒƒOƒ|ƒAƒ“ƒ_ƒ“ƒe|ƒAƒŒƒOƒ^Gerorg Friedrich Hendelì‹È@“z“cŒ´²ˆê•Ò‹È ‘æ‚R•” Œð‹¿Žu–kˆÎv^—é–ØÈêì‹È ƒnƒ“ƒKƒŠ[‹¶Ž‹È‘æ5”Ôƒz’Z’²^Franz Lisztì‹È@“z“cŒ´²ˆê•Ò‹ÈiƒsƒAƒmFPβŽqj ƒXƒyƒCƒ“‘æ‚Q‘g‹È^—é–ØÈêì‹È |
@2004.6.5 | ‘æ35‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ƒnƒ“ƒKƒŠƒA•‘‹È‘æ‚T”Ô^Johannes Brahmsì‹È ˆ¤‚̈¥ŽA^Edward Elgarì‹È@“¡–{‹§F•Ò‹È ”ß‚µ‚«ƒƒ‹ƒc^Jean Sibeliusì‹È Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È ‰p—Y‘’‘—‹È^Carlo Otello=Rattaì‹È ‘æ‚Q•” êt–¾˜‹È^—é–ØÈêì‹È ‰¹Šy•¨ŒêuŽ€ŽÒ‚Æ‹M•PiƒjãŽRŒÃ•‚ɂ܂‚í‚镨Œêjv^—é–ØÈêì‹È i˜N“ÇFA“cÈŽO@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚è@‡¥F‚’mŠÛ‚Ì“à‚“™ŠwZ‰¹Šy‰Èj |
@2003.6.28 | ‘æ34‰ñ’èŠú‰‰‘t‰ï@‚’mŽs–¯•¶‰»ƒvƒ‰ƒU‚©‚é‚Û[‚Æ ‘æ‚P•” ƒW[ƒO@ƒC’·’²^Arcangelo Corelliì‹È@ã–ì—T‰î•Ò‹È ƒxƒ‹ƒKƒ}ƒXƒN‘g‹È‚æ‚è@ƒvƒŒƒŠƒ…[ƒh^Claude Achille Debussyì‹È@ã–ì—T‰î•Ò‹È ƒfƒBƒ”ƒFƒ‹ƒeƒBƒƒ“ƒgK.136^Wolfgang Amadeus Mozartì‹È@ã–ì—T‰î•Ò‹È ‘æ‚Q•” ƒ€[ƒ“ƒŠƒo[ “ì”Ø“n—ˆ ‚füã‚̃AƒŠƒA^Johann Sebastian Bachì‹È ‰ÌŒ€wƒJƒ”ƒ@ƒŒƒŠƒAEƒ‹ƒXƒeƒBƒJ[ƒix‚æ‚èŠÔ‘t‹È^Pietro Mascagniì‹È Ž„‚Ì‚¨‹C‚É“ü‚è ƒpƒŠ‚̃AƒƒŠƒJl^George Gershwinì‹È ‘æ‚R•” ^‰Ä‚Ö‚ÌŽ^‰Ì^—é–ØÈêì‹È Œð‹¿Žu”ä—…•vƒ†[ƒJƒ‰v^—é–ØÈêì‹Èiƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj |
@2002.6.1 | ‘æ33‰ñ’èŠú‰‰‘t‰ï@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ‰ÌŒ€wƒJƒ‹ƒƒ“x‚æ‚è^Georges Bizetì‹È @“¬‹Žm^—é–ØÈê•Ò‹È @‘æ‚P–‹‚Ö‚Ì‘O‘t‹È^—é–ØÈê•Ò‹È @ƒAƒ‰ƒSƒl[ƒY^—é–ØÈê•Ò‹È @‘æ‚R–‹‚Ö‚ÌŠÔ‘t‹È^—é–ØÈê•Ò‹È @ƒnƒoƒlƒ‰^“¡–{‹§F•Ò‹È @ƒWƒvƒV[‚Ì—x‚è^•ž•”³•Ò‹È ‹¶Ž‹ÈuƒXƒyƒCƒ“v^Emmanuel Chabrierì‹È —é–ØÈê•Ò‹È ‘æ‚Q•” ƒoƒŒƒG‘g‹Èw—ö‚Í–‚pŽtx‚æ‚èu‰ÎÕ‚è‚Ì—x‚èv^Manuel de Fallaì‹È@—é–ØÈê^•Ò‹È uƒXƒyƒCƒ“•‘‹ÈWv‚æ‚èuƒIƒŠƒGƒ“ƒ^ƒ‹vƒn’Z’² op.37-2^Enrique Granadosì‹È^“z“cŒ´²ˆê•Ò‹È uƒXƒyƒCƒ“v‘æŽO‘g‹È^—é–ØÈêì‹È |
@2001.6.2 | ‘æ32‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” Šì‰ÌŒ€uŒy‹R•ºv˜‹È^Franz von Suppeì‹È Walking in the Air@ƒ‹ó‚ð•à‚¢‚Ä„iuƒXƒm[ƒ}ƒ“v‚æ‚èj^Howard Blakeì‹È Kèˆêm•Ò‹ÈiVioloncelloF‰ú”\“N—Yj LIBERTANGO@ƒƒŠƒxƒ‹ƒ^ƒ“ƒS„^Astor Piazzollaì‹È@“z“cŒ´²ˆê•Ò‹ÈiVioloncelloF‰ú”\“N—Yj ‘g‹Èu–k‰¢‚̃XƒPƒbƒ`v^Amedeo Amadeiì‹È^’†–ì“ñ˜Y•Ò‹È ‘æ‚Q•” ƒƒ}ƒ“ƒcƒ@‚ƃ{ƒŒƒuáv^Hyacinthe Lavitoranoì‹È ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚鉹Šy•¨Œêuá‚Ì—‰¤v^—é–ØÈêì‹Èi˜N“ÇFX–ØÎŽqj |
@2000.6.17 | ‘æ31‰ñ’èŠú‰‰‘t‰ï@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ‰ÌŒ€u–‚“Jv˜‹È^Wolfgang Amadeus Mozartì‹È@ã–ì—T‰î•Ò‹È —x‚è‚ƉÌ^Raffaele Calaceì‹È@’†–ì“ñ˜Y•Ò‹È ƒcƒbƒvƒI[ƒPƒXƒgƒ‰‚ׂ̈ÌuR‚t‚l‚a‚`v^Dieter Kreidlerì‹È –Œi“IŒ¶‘z‹ÈuŽR‘‚Ì¥—çv^Vittorio Filippaì‹È@’†–ì“ñ˜Y•Ò‹È ‘æ‚Q•” ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ìˆ×‚ÌŒð‹¿“IŽOÍu›ÞpŽtv^‘åŒI—Tì‹È ãY‘z‹Èu“úŒŽàK‚̉Ìv^—é–ØÈêì‹È Œð‹¿ŽuŽ¸‚í‚ꂽ“sv^—é–ØÈêì‹È |
@1999.6.19 | ‘æ30‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒWj ‘æ‚P•” ƒƒ‹ƒcu—Šw¶v^Emile Waldteufelì‹È ‰ÌŒ€uƒJƒ”ƒ@ƒŒƒŠƒAEƒ‹ƒXƒeƒBƒJ[ƒiv‚æ‚èŠÔ‘t‹È^Pietro Mascagniì‹È –S‚«‰¤—‚Ì‚½‚߂̃pƒ”ƒ@[ƒk^Maurice Ravelì‹È ƒMƒŠƒVƒƒ•—‹¶Ž‹È^Nicola Lavdasì‹È ‘æ‚Q•” ‹¶Ž‹ÈuŠCv^—é–ØÈêì‹È ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚鉹Šy•¨Œêul‹›v^—é–ØÈêì‹Èi˜N“ÇF‹g“cŠì‘ã”ü@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj |
@1998.6.12 | ‘æ29‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ‹Œ—F^Carl Teikeì‹È Œ¢ˆäÍ•v•Ò‹È ƒ^ƒCƒX‚ÌáÒ‘z‹È^Jules Massenetì‹È ƒpƒXƒgƒ‰ƒ‹ƒtƒ@ƒ“ƒ^ƒW[^“¡Š|œAKì‹È ‘æ‚Q•”@Special GuestFƒ}ƒ“ƒhƒŠƒ“ˆäã‘×MŽAƒsƒAƒm•½‰ªŒcŽqŽ‚É‚æ‚éƒ\ƒƒXƒe[ƒW uƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^v‚æ‚è‘æ‚PŠyÍeAllegrof^ˆÉ•Ÿ•”ºì‹È –²^Henri Vieuxtempsì‹È ƒXƒ^ƒo[ƒgƒ}[ƒeƒ‹^“¡Š|œAKì‹È Œ¶‘z‹Èu÷v^“ê“cŽŸì‹È ‘æ‚R•” ƒ}ƒ“ƒhƒŠƒjƒXƒgˆäã‘×MŽ‚ðƒQƒXƒgƒRƒ“ƒT[ƒgƒ}ƒXƒ^[‚ÉŒ}‚¦‚ẴXƒe[ƒW Œð‹¿ŽuˆÛV‚̉A‚Év|c—˜a‹{|^—é–ØÈêì‹È ’·’J‹¨ŠGŠª‚É‚æ‚鉹Šy•¨ŒêuŽé–åv^—é–ØÈêì‹Èi˜N“ÇFA“cÈŽOj |
@1997.6.27 | ‘æ28‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ƒ~ƒŒ[ƒi^Mario Machiocchiì‹È ƒJƒmƒ“^Johann Pachelbelì‹È ƒAƒ_[ƒWƒ‡@ƒg’Z’²^Tomaso Giovanni Albinoniì‹È@“z“cŒ´²ˆê•Ò‹È ˜‹È^‹g…G“¿ì‹È ‘æ‚Q•” “ú–{‚Q‚U¹}‹³ƒ~ƒT‚É‚æ‚é”ߜƘ‹ÈuŽó“ï‚̃~ƒTv^—é–ØÈêì‹È ƒOƒ‰ƒEƒR‚̔߂µ‚Ý^A.Mazzolaì‹È ‘g‹È¢˜f¯v‚æ‚è @‰Î¯|푈‚Ì_| @–د|‰õŠy‚Ì_|^Gustav Holstì‹È@¬ŒŠ—Yˆê•Ò‹È |
@1996.6.15 | ‘æ27‰ñ’èŠú‰‰‘t‰ï@@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^Vittorio Montiì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj ƒAƒ‰ƒ“ƒtƒFƒX‹¦‘t‹È@‘æ2ŠyÍ^Joaquin Rodrigoì‹ÈiƒMƒ^[ƒ\ƒF‹“‡Œõtj ƒ`ƒSƒCƒlƒ‹EƒƒCƒ[ƒ“^Pablo Sarasateì‹Èiƒ}ƒŠƒ“ƒoƒ\ƒF’†ŽR”ü’qj •‘—x•—‘g‹È‘æ‚Q”Ô^‹v•Û“cFì‹È ‘æ‚Q•” ƒoƒŒƒG‘g‹ÈwƒKƒC[ƒkx‚æ‚è @Œ•‚Ì•‘ @ŽqŽç‰Ì @ƒoƒ‰‚̉³—’B‚Ì—x‚è^Aram Khachaturianì‹È@•ž•”³•Ò‹È@“z“cŒ´²ˆê•â•Ò‹È Œð‹¿ŽuŽ€‚Ì•‘“¥v^C.Saint-Saensì‹È@—é–ØÈê•Ò‹È@“z“cŒ´²ˆê•â•Ò‹È ƒ^ƒC•‘‹ÈuƒpƒSƒ_‚Ì•‘•Pv^—é–ØÈêì‹È |
@1995.6.24 | ‘æ26‰ñ’èŠú‰‰‘t‰ïi–K“Æ‹L”OƒRƒ“ƒT[ƒgj@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ‰Ô^‘ê—õ‘¾˜Yì‹È@“z“cŒ´²ˆê•Ò‹È o‘D^™ŽR’·’J•vì‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃Vƒ“ƒtƒHƒjƒGƒbƒ^‘æ‚T”Ô^‘åŒI—Tì‹È ‘æ‚Q•” ˜‹Èu‹A‹½v^Konrad Wolkiì‹È ƒAƒ“ƒfƒ‹ƒZƒ““¶˜be•X•Pf‚É‚æ‚鉹Šy•¨Œêu•X‚̸‚É–£‚¢‚ç‚ꂽƒ‹ƒfƒBv^—é–ØÈêì‹Èi˜N“ÇFX–ØÎŽq@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj |
@1994.7.2 | ‘æ25‰ñ’èŠú‰‰‘t‰ï@@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” •É‹ó^Josef Rixnerì‹È ƒƒ~ƒI‚ƃWƒ…ƒŠƒGƒbƒg^Nino Rotaì‹È ƒJƒ^ƒŠEƒJƒ^ƒŠiƒCƒ^ƒŠƒA–¯—wj ‰ÌŒ€wƒy[ƒ‹EƒMƒ…ƒ“ƒgx‚æ‚è@ƒ\ƒ‹ƒ”ƒFƒCƒO‚̉Ì^Edvard Griegì‹È ƒpƒ”ƒ@[ƒk^Gabriel Faureì‹È ‰ÌŒ€wŽOŠp–XŽqx‚æ‚è@•²‰®‚Ì—x‚è^Manuel de Fallaì‹È ƒnƒ“ƒKƒŠƒA•‘‹È‘æ‚T”Ô^Johannes Brahmsì‹È ‘æ‚Q•” ‰ÌŒ€uƒC[ƒSƒŠŒöv‚æ‚è@ƒ_ƒbƒ^ƒ“l‚Ì—x‚è^Alexandor Borodinì‹È Œð‹¿æŽu‰Î‚ÌŽRv^—é–ØÈêì‹È |
@1993.6.19 | ‘æ24‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ƒZƒŒƒi[ƒf^Jonny Heykensì‹È ƒOƒŠ[ƒ“ƒXƒŠ[ƒuƒX‚É‚æ‚錶‘z‹È^Ralph Vaughan Williamsì‹È ŠÇŒ·Šy‘g‹È‘æ‚Q”Ô@ƒ’Z’²^Johann Sebastian Bachì‹È ‘æ‚Q•”@Popular Music`“ø` ƒCƒXƒpƒjƒAEƒJ[ƒj ‰©F‚¢ƒŠƒ{ƒ“ ‹{èxƒAƒjƒƒƒhƒŒ[ ‚¢ŽR–¬ wƒ}ƒCEƒtƒFƒAEƒŒƒfƒBx‚æ‚è @ƒAƒXƒRƒbƒgEƒKƒ”ƒHƒbƒg @ƒXƒyƒCƒ“‚̉J @—x‚è–¾‚©‚»‚¤ “ø‚̔ޕû‚É ‘æ‚R•” Œð‹¿ŽuƒtƒBƒ“ƒ‰ƒ“ƒfƒBƒAv^Jean Sibeliusì‹È ‘匶‘z‹È@Œ¶‚Ì‘uŽ×”n‘äv^—é–ØÈêì‹È |
@1992.6.12 | ‘æ23‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ‰ÌŒ€u‚Í‚©‚È‚«l¶v‚æ‚èƒXƒyƒCƒ“•‘‹È‘æ‚P”Ô^Manuel de Fallaì‹È ƒXƒ‰ƒ”•‘‹È‘æ‚P‚O”Ô@ƒz’Z’²^Antonin Dvorakì‹È ‰ÌŒ€uƒUƒ“ƒpv˜‹È^Ferdinand Heroldì‹È ‘æ‚Q•” ‚Q‚‚̃tƒ‹[ƒg‚ƃI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ì‹¦‘t‹Èƒg’·’²Op.133^Antonio Vivaldiì‹È ‹¦‘t‹ÈWuŽl‹Gv‚æ‚è‘æ‚P”Ôƒz’·’²utv^Antonio Vivaldiì‹È ‘æ‚R•” Œ€•t‰¹ŠyuƒGƒOƒ‚ƒ“ƒgv˜‹È^Ludwig van Beethovenì‹È •½‰Æ•¨Œêu¼ŠC‚̔҉Ìv^—é–ØÈêì‹È |
@1991.6.20 | ‘æ22‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ƒtƒ@ƒ“ƒ_ƒ“ƒS^Luigi Boccheriniì‹È ƒhƒ“EƒWƒ‡ƒoƒ“ƒj‚̃ZƒŒƒi[ƒh^Wolfgang Amadeus Mozartì‹È ƒAƒCƒlEƒNƒ‰ƒCƒlEƒiƒnƒgƒ€ƒW[ƒN^Wolfgang Amadeus Mozartì‹È ‘æ‚Q•” Œð‹¿“IŒ¶‘z‹ÈuƒVƒ‹ƒNƒ[ƒhv^—é–ØÈêì‹È |
@1990.6.22 | ‘æ21‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” PLINKEPLANKEPLUNK^Leroy Andersonì‹È@•ž•”³•Ò‹È ˆ¤‚Ì–²@‘æ‚R”Ô^Franz Lisztì‹È@—é–ØÈê•Ò‹È ƒsƒAƒm‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̌¶‘z‹È^‹v•Û“cFì‹È ‘æ‚Q•”iƒAƒ“ƒTƒ“ƒuƒ‹j ‚³‚‚ç‚ÌŒ¶‘z‹Èi“ú–{–¯—wj •Ê‚ê‚Ì‹È^Frederic Chopinì‹È ƒXƒyƒCƒ“‚̃ZƒŒƒi[ƒf^Georges Bizetì‹È ƒJƒmƒ“^Johann Pachelbelì‹È ƒ}ƒ“ƒhƒŠƒ“‹¦‘t‹È@ƒn’·’²RV.425iƒMƒ^[ƒ\ƒ‚É‚æ‚éj^Antonio Vivaldiì‹ÈiƒMƒ^[ƒ\ƒF‰º‘º‰êŠîj ‘æ‚R•” ‰ÌŒ€wƒ}ƒhƒ“ƒi‚Ì•óÎxŠÔ‘t‹È^Ermanno Wolf-Ferrariì‹È@—é–ØÈê•Ò‹È “ñãŽRŒÃ•‚ɂ܂‚í‚鉹Šy•¨ŒêuŽ€ŽÒ‚Æ‹M•Pv^—é–ØÈêì‹Èi˜N“ÇFA“cÈŽO@ƒ\ƒvƒ‰ƒmF”~Œ´‚ä‚©‚èj |
@1989.5.19 | ‘æ20‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒIƒŒƒ“ƒW) ‘æ‚P•” ƒgƒŠƒbƒ`Eƒgƒ‰ƒbƒ`Eƒ|ƒ‹ƒJ^Johann Strauss‡Uì‹È ‰Ì‹ÈWu”’’¹‚̉Ìv‚æ‚è@ƒZƒŒƒi[ƒh^Franz Peter Schubertì‹È ‰ÌŒ€wƒWƒ‡ƒRƒ“ƒ_x‚æ‚èeŽž‚Ì—x‚èf^Amilcare Ponchielliì‹È ‘æ‚Q•” ƒŠƒ…[ƒg‹¦‘t‹Èƒj’·’²RV.93^Antonio Vivaldiì‹ÈiƒMƒ^[ƒ\ƒFŽO‰Y”Ž”Vj ƒnƒ“ƒKƒŠƒA‹¶Ž‹È@ì•i‚U‚W^David Popperì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj ‘æ‚R•” ‰ÌŒ€w‚Í‚©‚È‚«l¶x‚æ‚èƒXƒyƒCƒ“•‘‹È‘æ‚P”Ô^Manuel de Fallaì‹È ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚鉹Šy•¨Œêwl‹›x^—é–ØÈêì‹Èi˜N“ÇF×ì—tŽqj |
@1988.7.8 | ‘æ19‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” ƒAƒ‹ƒnƒ“ƒuƒ‰‚ÌŽv‚¢o^Francisco Tarregaì‹È …ã‚̉¹Šy^Gerorg Friedrich Hendelì‹È Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È ‘æ‚Q•” ƒAƒ“ƒNƒ‰[ƒWƒ…ƒ}ƒ“ì•i‚R‚SiŠð—V‹È‘æ1”Ôj^Fernando Sorì‹ÈiƒMƒ^[“ñd‘tFˆäã¹A‹v•Û“ck¶j –³”º‘tƒ”ƒ@ƒCƒIƒŠƒ“ƒ\ƒiƒ^‘æ2”ÔBWV.1003‚æ‚è@ƒAƒ“ƒ_ƒ“ƒe^Johann Sebastian Bachì‹È@‹v•Û“ck¶•Ò‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j ƒJƒ”ƒ@ƒeƒB[ƒi`‰f‰æuƒfƒBƒAƒnƒ“ƒ^[v‚æ‚è^Stanley Myersì‹È@John Williams•Ò‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j ƒ‚[ƒcƒ@ƒ‹ƒg‚ÌŽå‘è‚É‚æ‚阑t‚Æ•Ï‘t‹È^Fernando Sorì‹ÈiƒMƒ^[“Æ‘tF‹v•Û“ck¶j ƒAƒŒƒOƒ^Gerorg Friedrich Hendelì‹ÈiƒMƒ^[“ñd‘tF‰º‘º‰êŠîAŽO‰Y”Ž”Vj ƒMƒ^[“ñd‘t‹Èƒg’·’²ì•i‚R‚S^Ferdinando Carulliì‹È@Waiter Gotze•Ò‹ÈiƒMƒ^[“ñd‘tF‰º‘º‰êŠîAŽO‰Y”Ž”Vj ‘æ‚R•” ƒ[ƒŒƒ‰ƒCEƒpƒ‰ƒtƒŒ[ƒY^J.Nesvadbaì‹È ƒhƒ“EƒWƒ‡ƒoƒ“ƒjEƒZƒŒƒi[ƒf^ Wolfgang Amadeus Mozartì‹È ƒXƒ‰ƒusi‹È^Piotr llyich Tchailovskyì‹È |
@1987.5.22 | ‘æ18‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” uƒAƒCƒlEƒNƒ‰ƒCƒlEƒiƒnƒgƒ€ƒW[ƒNv‚æ‚è@‘æ‚PŠyÍAllegro^Wolfgang Amadeus Mozartì‹È ƒJƒmƒ“^Johann Pachelbelì‹È ŠC‚Ì‘g‹È^Amedeo Amadeiì‹È ‘æ‚Q•” ƒ{ƒ‹ƒKEƒ}[ƒ`iƒƒVƒA–¯—wj “ñ‚‚̃Mƒ^[iƒƒVƒA–¯—wj ƒyƒ“ƒVƒ‹ƒoƒjƒAƒ|ƒ‹ƒJiƒAƒƒŠƒJ–¯—wj^•½ŽR‰pŽO˜Y•Ò‹È ƒIƒŠ[ƒu‚ÌŽñü‚è^Claude Morganì‹È ”M‚«S‚É^‘å‘ê‰rˆêì‹È ’lj¯^Marvin Hamlischì‹È —x‚è‚ ‚©‚»‚¤ ‘æ‚R•” ƒOƒ‰ƒEƒR‚̔߂µ‚Ý^A.Mazzolaì‹È Œð‹¿Žu”ä—…•vƒ†[ƒJƒ‰v^—é–ØÈêì‹È |
@1986.5.28 | ‘æ17‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È éƒP“‡‚̉J^—À“c’åì‹È@‹`“ck”V•Ò‹È utv•Ï‘t‹È^¬’r³•vì‹È ‘æ‚Q•” ƒyƒ‹[‚̉S^–FŽuŒËŠ²—Yì‹ÈiƒMƒ^[“Æ‘tF‰ú”\“N—Yj ƒAƒ‰ƒrƒA•—Šï‘z‹È^Francisco Tarregaì‹ÈiƒMƒ^[“Æ‘tF‰ú”\“N—Yj ƒAƒXƒgƒDƒŠƒAƒX^Isaac Albenizì‹È@Francisco Tarrega•Ò‹ÈiƒMƒ^[“Æ‘tF¼‹Fsj w–‚“Jx‚ÌŽå‘è‚É‚æ‚é•Ï‘t‹È^Fernando Sorì‹ÈiƒMƒ^[“Æ‘tF¼‹Fsj ƒŒEƒvƒŒƒ~ƒGƒ‹EƒpƒX^Fernando Sorì‹ÈiƒMƒ^[“ñd‘tFˆäã¹A‹v•Û“ck¶j ƒXƒyƒCƒ“•—Šï‘z‹È^Carlo Munierì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Žj ‘æ‚R•” ƒ”ƒFƒ‹ƒŒ[ƒk‚ÌŽ‚ÉŠñ‚¹‚é‚RŠyÍ^—é–ØÈêì‹È ˜‹È4”Ôƒ’Z’²^Konrad Wolkiì‹È |
@1985.7.16 | ‘æ16‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” ƒ~ƒŒ[ƒi^Mario Machiocchiì‹È ƒAƒ_[ƒWƒ‡@ƒg’Z’²^Tomaso Giovanni Albinoniì‹È ¬Œð‹¿Žuƒ}ƒ“ƒhƒŠƒ“‚ÌŒQ‚êv^Carlo Alberto Braccoì‹È ‘æ‚Q•” ƒZƒŒƒi[ƒ^^’†–ì“ñ˜Yì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj ut‚ª‚«‚½v‚ÌŽå‘è‚É‚æ‚é•Ï‘t‹È^’†–ì“ñ˜Yì‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF…“c‰v”Žj ƒMƒ^[ŽOd‘t‚É‚æ‚é ‚Q–{‚̃tƒ‹[ƒg‚Ì‚½‚ß‚Ì‹¦‘t‹ÈOp.47-2iRV.533j^Antonio Vivaldiì‹ÈiƒMƒ^[ŽOd‘tF•Ð‰ª˜a’jA‘ò“c‘ìŽuA‘åâŒMj ‘æ‚R•” ‰¹ŠyŽu–ö‰Í´vi–kŒ´”’Hw‚킪¶‚¢‚½‚¿x‚Ì‹L‚ɂ悹‚Äj^—é–ØÈêì‹È Ld‚ÌŠG‚Æ”mÔ‚Ì‹å‚ÉŠñ‚¹‚錶‘z‹Èu•xŽm—·îv^—é–ØÈêì‹È |
@1984.6.30 | ‘æ15‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” ‚¨‚à‚¿‚á‚ÌŒð‹¿‹È^Leopold Mozartì‹È@‰ª–{ò•Ò‹È ƒ”ƒ@ƒCƒIƒŠƒ“‹¦‘t‹ÈWOp.3u’²˜a‚̗슴v‚æ‚è‘æ‚U”ÔƒC’Z’²^Antonio Vivaldiì‹È@ˆäã¹A‘åâŒM•Ò‹Èiƒ}ƒ“ƒhƒŠƒ“ƒ\ƒF‚‹´—TŽqj @@ ‘æ‚Q•”iƒ}ƒ“ƒhƒŠƒ“F…“c‰v”Ž@ƒMƒ^[F‘åâŒMj ƒVƒ`ƒŠƒA‚ÌŽv‚¢o^‚rDƒŒƒIƒiƒ‹ƒfƒBì‹È “ñd‘tƒ\ƒiƒ^‘æ1”Ôƒn’·’²ì•i‚T^‚fDƒQƒ‹ƒ”ƒ@ƒVƒIì‹È ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^Vittorio Montiì‹È ‘æ‚R•” ƒƒ}ƒ“ƒcƒ@‚ƃ{ƒŒƒuáv^Hyacinthe Lavitoranoì‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Æ“Æ¥‚Ì‚½‚ß‚ÌæŽw•—ŽÔ¬‰®•Ö‚èx‚æ‚èu¯v^‘åŒI—Tì‹ÈiƒiƒŒ[ƒVƒ‡ƒ“FŽR’†—tŽq@“Æ¥FM‹g‹MŽqj |
@1983.7.1 | ‘æ14‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) ‘æ‚P•” uƒOƒŠ[ƒ“ƒXƒŠ[ƒuƒXv‚É‚æ‚錶‘z‹È^Ralph Vaughan Williamsì‹È@ˆäã¹•Ò‹È –S‚«‰¤—‚Ì‚½‚߂̃pƒ”ƒ@[ƒk^Maurice Ravelì‹È@‘åâŒM•Ò‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̇‘t‹¦‘t‹Èƒn’Z’²^Antonio Vivaldiì‹È@‘åâŒMA‰F“cM—²•Ò‹È ‘æ‚Q•” ƒtƒ@ƒ“ƒ^ƒWƒA^Alonso Mudarraì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj ƒtƒ@ƒ“ƒ^ƒWƒA^Sylvius Leopold Weisì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj ƒtƒ@ƒ“ƒ^ƒWƒA^John Dowlandì‹ÈiƒMƒ^[“Æ‘tF‘åâŒMj ƒTƒ‰ƒoƒ“ƒh^Johann Sebastian Bachì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j ƒƒ‰ƒ“ƒRƒŠƒA^Mario Castelnuovo-Tedescoì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j ƒ‚ƒQ[ƒ‹‚Ì‹ó‚É‚¢‚éƒvƒ‰ƒe[ƒ^Mario Castelnuovo-Tedescoì‹ÈiƒMƒ^[“Æ‘tFˆäã¹j Œ¶‘z“Iƒƒ‹ƒc^Enrico Marucelliì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Ž@ƒMƒ^[“Æ‘tF‘åâŒMj ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃMƒ^[‚ׂ̈̋¦‘t•—ƒ\ƒiƒ^@ƒC’·’²^Niccolo Paganiniì‹Èiƒ}ƒ“ƒhƒŠƒ““Æ‘tF…“c‰v”Ž@ƒMƒ^[“Æ‘tF‘åâŒMj ‘æ‚R•” Šì‰ÌŒ€wŽl‚Æ”_•vx˜‹È^Franz von Suppeì‹È@Œ¢ˆäÍ•v•Ò‹È Ž“I“ñÍ^“¡Š|œAKì‹È |
@1982.11.18 | ‘æ13‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) 1•” ‘g‹ÈuƒhƒŠ[v‚æ‚è@ŽqŽç‰SAƒLƒeƒBEƒƒ‹ƒcAƒXƒyƒCƒ“•‘‹È^Gabriel Faureì‹È@‘åâŒM•Ò‹È ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̇‘t‹¦‘t‹Èƒn’·’²^Antonio Vivaldiì‹È@‘åâŒMA‰F“cM—²•Ò‹È 2•” ƒZƒŒƒi[ƒfNo.1^F.ƒJƒ‹ƒŠì‹ÈiƒMƒ^[F‘åâŒMAA“c˜a¶j ƒXƒyƒCƒ“•‘‹È^E.ƒOƒ‰ƒiƒhƒXì‹ÈiƒMƒ^[F‘åâŒMAA“c˜a¶j ƒnƒ“ƒKƒŠƒA‹¶Ž‹È^D.ƒ|ƒbƒp[ì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒsƒAƒmF“n•ÓKŽqj 3•” ŠC‚̔ߌ€^‚rDƒWƒ‡ƒ“ á‚̖铹^ìè’å—˜ ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃{ƒJƒŠ[ƒY‡V‚æ‚èu‚½‚»‚ª‚ê‚Ì‚¤‚½£^ŒF’JŒ«ˆêì‹È |
@1981.6.5 | ‘æ12‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“) 1•” ƒXƒ‰ƒu•‘‹È‘æ10”Ô^Antonin Dvorakì‹È ‘g‹Èwƒy[ƒ‹EƒMƒ…ƒ“ƒgx‚æ‚è@ƒI[ƒ[‚ÌŽ€AƒAƒjƒgƒ‰‚Ì—xƒŠAƒ\ƒ‹ƒ”ƒFƒCƒO‚̉Ì^Edvard Griegì‹È w^‰Ä‚Ì–é‚Ì–²x‚æ‚è@Œ‹¥si‹È^Felix Mendelssohnì‹È 2•” ‹½D‚̃Vƒ‡[ƒ^ƒoƒŠƒIƒXì‹ÈiƒMƒ^[ƒ\ƒF‰«“c‰v’jj ƒGƒ`ƒ…[ƒh‘æ11”Ô^ƒ”ƒBƒ‰ƒƒ{ƒXì‹ÈiƒMƒ^[ƒ\ƒF‰«“c‰v’jj ƒvƒŒƒŠƒ…[ƒh‘æ1”Ô^ƒ”ƒBƒ‰ƒƒ{ƒXì‹ÈiƒMƒ^[ƒ\ƒF‰F“cM—²j ƒƒ‹ƒc^ƒ|ƒ“ƒZì‹ÈiƒMƒ^[ƒ\ƒF‰F“cM—²j ƒAƒ‹ƒnƒ“ƒuƒ‰‚ÌŽv‚¢o^ƒ^ƒŒƒKì‹ÈiƒMƒ^[ƒ\ƒF‚‹´Gºj ré‚ÌŒŽ•Ï‘t‹È^ˆ¢•”•Û•v•Ò‹ÈiƒMƒ^[ƒ\ƒF‚‹´Gºj ƒ`ƒƒƒ‹ƒ_ƒbƒVƒ…^ƒ‚ƒ“ƒeƒBì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒMƒ^[F‘åâŒMj ‰‰‘t‰ï—p‰~•‘‹È^ƒ€ƒjƒGƒ‹ì‹Èiƒ}ƒ“ƒhƒŠƒ“F…“c‰v”ŽAƒMƒ^[F‘åâŒMj 3•” ƒZƒŒƒi[ƒf‘æ2”Ô^“¡Š|œAKì‹È |
@1980.6.6 | ‘æ11‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§—§Œ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j 1•” ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃\ƒiƒ^@ƒC’Z’²^‹v•Û“cFì‹È u”ª‚‚̃oƒ‰[ƒhv‚æ‚è@‚¢ƒwƒ`ƒ}A–Ø”nAƒJƒ‰ƒXA¯‚Ì‚±‚Ç‚àAƒtƒBƒi[ƒŒ^“¡Š|œAKì‹È 2•” ‚¨‚Ä‚à‚â‚ñiŒF–{–¯—wj^“Œðr–¾•Ò‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j “ñ‚‚̃Mƒ^[iƒƒVƒA–¯—wj^‹g“cŒõŽO•Ò‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j ƒƒ‹ƒcOp.64-2^F.Chopinì‹ÈiƒMƒ^[“ñd‘tF¬“‡ˆê—˜A”Œ´Œ’j Leichtes Trio Op.26^Leonhard von Callì‹ÈiƒMƒ^[ŽOd‘tFˆäã¹A‰F“cM—²A‘åâŒMj 3•” Capriccio SapporoiŽD–y‹¶Ž‹Èj^´…•Û—Yì‹È ƒXƒ^ƒo[ƒgEƒ}[ƒeƒ‹^“¡Š|œAKì‹È |
@1979.6.8 | ‘æ10‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j 1•” –é‘z“IŠÔ‘t‹È^R.Crepaldiì‹È ƒ”ƒ@ƒCƒIƒŠƒ“‹¦‘t‹È‚æ‚è‘æ2ŠyÍ^P.I.Tchaikovskiì‹È Œð‹¿“I‘O‘t‹È^Ugo Bottacchiariì‹È 2•” ‰Ô^‘ê—õ‘¾˜Yì‹È@•ž•”³•Ò o‘D^™ŽR’·’J•vì‹È@•ž•”³•Ò‹È ‰—ö^‰z’J’B”V•ì‹È@•ž•”³•Ò‹È ‰Ä–XŽq‚ð”í‚Á‚Ä^’†–ì“ñ˜Yì‹È ŒÜŒŽ‰J‚é‚é“ú‚Ì—JŸT^’†–ì“ñ˜Yì‹È 3•” ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚錀“I‘g‹Èwl‹›x^—é–ØÈêì‹È |
@1978.6.2 | ‘æ9‰ñ’èŠú‰‰‘t‰ï@‚’mŒ§–¯•¶‰»ƒz[ƒ‹iƒOƒŠ[ƒ“j 1•” ƒgƒDƒŒƒfƒBƒ`^J.B.Kokì‹È ˆ¤‚̃`ƒƒƒ‹ƒ_ƒbƒVƒ…^G.Jean•M.S.Paul ÅŒã‚̃Xƒe[ƒW^F.Menichettiì‹È 2•” Œ¶‘z“I‰~•‘‹È^E.Marucelliì‹Èiƒ}ƒ“ƒhƒŠƒ“FŒö•¶—TŽqAƒMƒ^[F‘åâŒMj ƒCƒMƒŠƒX‘g‹È^J.W.Duarteì‹ÈiƒMƒ^[ƒ\ƒF‘åâŒMj ƒ}ƒŠƒGƒbƒ^^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j ƒ}ƒŠƒA^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j ƒAƒ‰ƒrƒA•—Šï‘z‹È^F.Tarregaì‹ÈiƒMƒ^[ƒ\ƒFˆäã¹j 3•” utv•Ï‘t‹È^¬’r³•vì‹È Œð‹¿Žuœ\èÓi‚Ý‚ë‚jv^Ôé~ì‹È |
@1976.6.10 | ‘æ7‰ñ’èŠú‰‰‘t‰ï@‚Vƒz[ƒ‹ 1•” •l•Ó‚̉S^¬“cˆ×ŽOì‹È@’†–ì“ñ˜Y•Ò‹È ‚±‚Ì“¹^ŽR“ckâ©ì‹È@•ž•”³•Ò‹È ‰—ö^‰z’J’B”V•ì‹È@•ž•”³•Ò‹È ‰Ä–XŽq‚ð”í‚Á‚Ä^’†–ì“ñ˜Y ŒÃíê‚ÌH^¬’r³•vì‹È 2•” ƒZƒŒƒi[ƒf^Franz Schbertì‹È@•½ŽR‰pŽO˜Y•Ò‹Èiƒ}ƒ“ƒhƒŠƒ“Fâ–{wˆêA¬Š}Œ´^’mŽqj •ê‚É•ù‚®‚éƒ\ƒiƒ`ƒl^‰¡”öKOì‹ÈiƒMƒ^[F–ì“c³•FA”Œ´Œ’j ƒgƒŒƒ‚ƒ^G.Gomezì‹ÈiƒMƒ^[ƒ\ƒF¬“‡ˆê—˜j ƒ‰EƒJƒeƒhƒ‰ƒ‹^A.Barriosì‹ÈiƒMƒ^[ƒ\ƒF¬“‡ˆê—˜j 3•” ƒ”ƒFƒ‹ƒŒ[ƒk‚ÌŽ‚ÉŠñ‚¹‚é‚RŠyÍ^—é–ØÈêì‹Èi˜N“ÇF‰ª‘ºŒöŽŸ˜Yj 4•” ”߉Ì^C.A.Braccoì‹È ‹F‚è^S.Salvettiì‹È ˜‹È‘æ1”ÔƒC’·’²^K.Wolkiì‹È |
@1975.6.7 | ‘æ6‰ñ’èŠú‰‰‘t‰ï@”_‹¦‰ïŠÙ‚UFƒz[ƒ‹ 1•” ¬si‹È •ˆä@Žç¬ —Ž—t‚̸ •ˆä@Žç¬ Œ¬–K‚é‚éH‰J •ˆä@Žç¬ t‚̃mƒXƒ^ƒ‹ƒWƒA •ˆä@Žç¬ Ž€‚¹‚éŽál‚É •ˆä@Žç¬ 2•” —ö‚Ì‚¤‚®‚¢‚·^F.Couperinì‹ÈiƒŠƒR[ƒ_[F²’|Hj ƒ}ƒ“ƒhƒŠƒ“‚ׂ̈̃\ƒiƒ`ƒl@ƒn’Z’²^Ludwig van Beethovenì‹Èiƒ}ƒ“ƒhƒŠƒ“F–k‘ºçŽqAƒMƒ^[F“z“cŒ´²ˆê j ƒ~ƒƒ“ƒK@ƒtƒ‰ƒƒ“ƒJ^Sabicasì‹È@K.Wolki•Ò‹ÈiƒMƒ^[F¬“cؑגõA–ì“c³•FA•ìKŽqj ‘g‹È‘æ4”Ô“ñ’Z’²‚æ‚èƒTƒ‰ƒoƒ“ƒh‚Æ•Ï‘t^Sabicasì‹È@K.Wolki•Ò‹ÈiƒMƒ^[F¬“cؑגõA–ì“c³•FA•ìKŽqj 3•” ‰¹ŠyŽu–ö‰Í´vi–kŒ´”’Hw‚킪¶‚¢‚½‚¿x‚Ì‹L‚ɂ悹‚Äj^—é–ØÈêì‹Èi˜N“ÇF‰ª‘ºŒöŽŸ˜Yj 4•” ré‚ÌŒŽŒ¶‘z‹È^•ž•”³ì‹È ”g^C.G.Walterì‹È ƒAƒ‹ƒ‚[ƒ‹^H.Bertì‹È |
@1974.6.8 | ‘æ5‰ñ’èŠú‰‰‘t‰ï@”_‹¦‰ïŠÙ‘åƒz[ƒ‹ 1•” o‘D^™ŽR’·’J•vì‹È@•ž•”³•Ò‹È u’±Xv‚ðŽå‘è‚Æ‚¹‚é•Ï‘t‹È^•ž•”³•Ò‹È Ž¶‚ç‚ê‚Ä^O“c—³‘¾˜Yì‹È@•ž•”³•Ò‹È —·D‚ÌŽå‘è‚É‚æ‚é•Ï‘t‹È^•ž•”³•Ò‹È 2•” ƒMƒ^[“ñd‘tE“Æ‘tiˆäã¹A“c‘ºGj ƒgƒŠ[ƒn^ƒgƒƒo ƒAƒ“ƒ_ƒ“ƒe^ƒ”ƒBƒ”ƒ@ƒ‹ƒfƒB ƒpƒo[ƒi^ìŽÒ•sÚ ƒƒ“ƒh^ƒJƒ‹ƒŠ 3•” ƒVƒo‚Ì—‰¤^ƒ~ƒbƒVƒFƒ‹Eƒ[ƒ‰ƒ“ì‹È ˆ£D‚̃Aƒ_[ƒWƒ‡^ƒ~ƒJƒGƒ‹Eƒ”ƒ@ƒbƒPƒXì‹È Œð‹¿‹È‘æ41”Ôƒn’·’²KE551uƒWƒ…ƒsƒ^[v^Wolfgang Amadeus Mozartì‹È 4•” ¼ˆæ‚æ‚è^ìè’å—˜ì‹È ƒXƒyƒ‰ƒ“ƒcƒ@^ƒTƒ‹ƒgƒŠ ƒIƒ‰ƒbƒ`ƒIŒZ’í‚ƃNƒŠƒAƒbƒ`ƒIŒZ’í^ƒ`ƒ}ƒ[ƒUì‹È@ƒ|[ƒŠ•Ò‹È šŒ»ÝA‘æ‚P`‚S‰ñE‘æ‚W‰ñ•ª‚ÍŽ‘—¿•s‘«‚̈׌fÚo—ˆ‚Ä‚Ü‚¹‚ñB |